France -- Description and travel; James, Henry, 1843-1916 -- Travel -- France
The fountain proper--the source of all these distributed waters--is the
prettiest thing in the world, a reduced copy of Vaucluse. It gushes up
at the foot of the Mont Cavalier, at a point where that eminence rises
with a certain cliff-like effect, and, like other springs in the same
circumstances, appears to issue
[Illustration: NÎMES--THE CATHEDRAL]
from the rock with a sort of quivering stillness. I trudged up the Mont
Cavalier--it is a matter of five minutes--and having committed this
cockneyism, enhanced it presently by another. I ascended the stupid Tour
Magne, the mysterious structure I mentioned a moment ago. The only
feature of this dateless tube, except the inevitable collection of
photographs to which you are introduced by the doorkeeper, is the view
you enjoy from its summit. This view is of course remarkably fine, but I
am ashamed to say I have not the smallest recollection of it; for while
I looked into the brilliant spaces of the air I seemed still to see only
what I saw in the depths of the Roman baths--the image, disastrously
confused and vague, of a vanished world. This world, however, has left
at Nîmes a far more considerable memento than a few old stones covered
with water-moss. The Roman arena is the rival of those of Verona and of
Arles; at a respectful distance it emulates the Colosseum. It is a small
Colosseum, if I may be allowed the expression, and is in much better
preservation than the great circus at Rome. This is especially true of
the external walls, with their arches, pillars, cornices. I must add
that one should not speak of preservation, in regard to the arena at
Nîmes, without speaking also of repair. After the great ruin ceased to
be despoiled it began to be protected, and most of its wounds have been
dressed with new material. These matters concern the archæologist; and I
felt here, as I felt afterwards at Arles, that one of the profane, in
the presence of such a monument, can only admire and hold his tongue.
The great impression, on the whole, is an impression of wonder that so
much should have survived. What remains at Nîmes, after all dilapidation
is estimated, is astounding. I spent an hour in the Arènes on that same
sweet Sunday morning, as I came back from the Roman baths, and saw that
the corridors, the vaults, the staircases, the external casing, are
still virtually there. Many of these parts are wanting in the Colosseum,
whose sublimity of size, however, can afford to dispense with detail.
The seats at Nîmes, like those at Verona, have been largely renewed; not
that this mattered much, as I lounged on the cool surface of one of them
and admired the mighty concavity of the place and the elliptical
sky-line, broken by uneven blocks and forming the rim of the monstrous
cup--a cup that had been filled with horrors. And yet I made my
reflections: I said to myself that though a Roman arena is one of the
most impressive of the works of man, it has a touch of that same
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account