City and town life -- Fiction; Urban poor -- Fiction
After the first glance, the audience resumed their conversation, and the
rival candidates, making common cause against their opponent, raised
their brows, tightened their lips, and shrugged their shoulders,
especially Herr Schtopffz, who quite covered his ears as he took a pinch
of snuff.
Jared gave one more glance round the church, as if he expected a miracle
to be performed in his favour, and that one of the stone angels by a
neighbouring tablet would suddenly whisk him off. He then stepped
slowly towards the vacant seat, rubbing his long bony fingers together
so that they crackled again.
The appearance of the organ was enough to make Jared approach it
reverently; and he shuffled on to the long stool, pressing down the
lowest pedal key as he passed, so that it gave forth a deep shuddering
rumble. This mishap seemed to add to his confusion, which, however,
culminated as he felt in his pocket for the roll of music from which he
was to have played. He felt in the next pocket, then in his breast, and
lastly looked in his hat, as if expecting to see it there. Then he
gazed in the faces of his fellow-candidates, as if to say, "What's
become of it?" But the roll was not forthcoming; and in despair, he now
glanced at himself in the glass reflector above the key-board. But
nothing was to be seen there but a doleful, hopeless-looking face,
seeming to tell him that every chance of success was gone.
But as Jared sat there, in full view of the whole church, he felt a
slight vibration in his seat, and heard the air rushing into the
wind-chest as the boy toiled on at his task to keep it filled and make
no more mistakes, for already, in anticipation, he was suffering from a
cut or two of Beadle Purkis's cane.
Jared gazed up at the towering pipes above his head, down at the keys
and stops on either side; and then seemed to come over him the
recollection of many a pleasant practice in a dim old church, where he
had forgotten the troubles of the present in the concord of sweet sounds
he had drawn from the instrument. He grew more agitated, his hands
trembled, his cheeks flushed, and his eyes brightened--his whole form
seemed to dilate, and he thrust his long fingers through his hair, as if
seeking to add to the oddity of his appearance, while the audience
ceased their murmuring hum of conversation as they witnessed his strange
gestures.
He pulled out a stop here and a stop there, tenderly, as if caressing
something he loved. Then pushing off his boots, he thrust in every
stop, seized them sharply to draw nearly all out, and struck so wild and
thrilling a chord, that his hearers started and craned forward to catch
the next notes.
Now there was silence, save the dying vibrations of the chord heard in
the distant corners and groinings of the roof, for not a whisper was
audible amongst the many listeners assembled.
Public-domain text, read in full here on John Shaqi.
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