He looked at Rosalie, and the resemblance between the girl and her
mother struck him most forcibly. She was pretty, for all that. Her oval
face, pale with evident grief, had an ivory tint as she bent down over
her knitting in the lamp-light, and when she raised her eyes to his the
sincerity of the passion that animated her shone forth from beneath her
long lashes. But why were her eyes of precisely the same shade of colour
as her mother's? Why, with twenty-four years between them, had they the
same shape of brow, the same cut of the chin, and the same lines of the
mouth? But how unjust to blame this innocent child for that resemblance,
for that pallor, for that grief, and even for the silence in which she
wrapped herself! Alas! that it should be so, but when we have wronged a
woman it is easy enough to find an inexhaustible source of unjust
complaints against her.
Rosalie had unwittingly committed the crime of adding remorse to the
feelings brought into play by René's fresh passion. She represented
that past which we never forgive if it becomes an obstacle between us
and our future. False as most women are in matters of love, their
perfidy can never sufficiently punish the secret selfishness of the
majority of men. If René had had the sorry courage of his friend Claude
Larcher, and looked himself straight in the face, he would have had to
confess that the real cause of his irritation lay in the fact that he
had deceived Rosalie. But he was a poet, and one who was an adept at
throwing a veil over the ugly parts of his soul.
He therefore compelled himself to think of Suzanne, and of the noble
love which had sprung up and was burning within him; for the first time
he succeeded in forming a resolve to break definitely with Rosalie,
saying to himself, 'I will be worthy of _her!_' _She_ was the lying
wanton who, with her luxurious surroundings, her rare science of dress,
her incomparable power of aping sentiment, and her seductive,
soul-troubling beauty, had such immense advantages over sweet,
simple-hearted Rosalie. Her beauty once more rose up before René's
enslaved imagination just as old Offarel was giving the signal for
departure by rising and saying to Fresneau, 'I've won fourteen _sous_
from you--ha! ha! that'll keep me in cigars for a week. Come,' he added,
turning to his wife, 'are you ladies ready?'
'Since we are all here,' replied Madame Offarel, emphasising the word
'all' by darting a look at René. 'When are you coming to dinner? Would
Saturday suit you? That's M. Fresneau's best day, I believe?' The
professor replying in the affirmative, she now addressed herself to the
poet direct, 'Will that suit you, René? You'll be more comfortable at
our place, I can assure you, than amongst all those grand people on whom
your friend Larcher goes sponging.'
'But, Madame----' exclaimed the poet.
Public-domain text, read in full here on John Shaqi.
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