'It also appears,' continued Offarel, anxious to gratify that low taste
for senseless gossip peculiar to a _bourgeois_ as soon as he gets hold
of one of the innumerable calumnies to which well-known men are
exposed--'it appears that he lives surrounded by a court of women who
adore him, and that he has discovered an infallible method of making
whatever he writes a success. He has a dozen copies of his proofs struck
off at once, and takes one to each of the ladies he knows. They spread
them out on their knees, and "_Mon petit_ Larcher here, and _mon petit_
Larcher there--you must alter this and you must cut out that." So he
alters this and he cuts out that, and the ladies imagine that they have
written his work for him.'
'I am not at all surprised,' said Madame Offarel; 'he looks like a bold
deceiver.'
'I must confess,' replied Fresneau, 'that I don't like his writings
much; but as for being a deceiver--that's another matter. My dear Madame
Offarel, I assure you he's a perfect child. How it amuses me when the
newspapers say that he knows women's hearts! I've always found him in
love with the worst creatures on earth, whom he conscientiously believed
to be angels, and who deceive him and fool him as much as they please.
René told us the other day that he spends his time in dallying with
little Colette Rigaud, who plays in the "Sigisbée"--a false hussy
who'll worm his last shilling out of him.'
'Hush!' exclaimed Emilie, entering just in time to hear the end of this
little speech, and placing her hand on her husband's lips. 'Monsieur
Claude is a friend of ours, and I won't have him discussed. My brother
desires to be excused for not saying "good night" to you all,' she
added; 'they hadn't noticed that it was so late, and left in a hurry.
And when am I to have that drawing of the last scene in the
"Sigisbée?"' she asked, turning to the _sous-chef de bureau._
'It's a bad time of year for water-colours,' replied the latter; 'it
gets dark so soon, and we are overwhelmed with work--but you shall have
it. Why, what's the matter, Rosalie? You are quite white.'
Public-domain text, read in full here on John Shaqi.
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