'You can see that,' he replied, 'I'm getting ready to go.'
'To go!'
'Yes,' he rejoined; 'I think of going to Italy.'
'When?' asked Emilie in astonishment.
'Most probably the day after to-morrow.'
He meant what he said. He had calculated that Suzanne would require
about twenty-four hours for her preparations if she decided to go. If
she decided to go! The mere possibility of his attempt failing caused
him such pain that he did not care to dwell upon it. Since the scene at
the Opera, when he had left her pale and crushed in the semi-darkness of
the private box, he had imposed almost superhuman restraint upon himself
by stemming the torrent of passionate longing within him. The hope so
suddenly conceived was a kind of breach through which the torrent swept
with such unrestrained and violent fury that it overturned and carried
away all before it. In his madness René even went so far as to look at
some trunks in two or three shops in the Rue de la Paix. Since the
departure from Vouziers no one in the Vincy family had left Paris, even
for twenty-four hours. The only articles in the Rue Coëtlogon that
could hold anything were two old worm-eaten coffers and three leather
portmanteaus falling to pieces from age. These preparations, which lent
an appearance of reality to the poet's dreams, cheated the fever of
suspense until the hour of his appointment. The illusion in which he had
indulged had been so strong that he did not realise his actual position
until he stood in the little _salon_ in the Rue Murillo. Nothing had yet
been achieved.
'Madame will be here in a moment,' the servant had said, leaving him
alone in the room. He had not been there since the day when he read his
choicest verses to her whom he then regarded as a Madonna. Why did she
keep him waiting for full five minutes in this place that must awaken in
him so many recollections? Was it yet another ruse on her part?
Recollections did indeed rise up before him, but produced an effect
totally different from that anticipated by Suzanne. The elegance of
these surroundings, once so much admired, now inspired him with horror.
An atmosphere of infamy seemed to hang over all these objects, many of
which had no doubt been paid for by Desforges. The horror he felt
intensified his desire to drag the woman he loved away from her misery,
and when she appeared on the threshold it was not love that she read in
his eyes, but a fixed and determined look of resolve.
Public-domain text, read in full here on John Shaqi.
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