'Well, what does he want to be so stuck up about?' continued the old
lady. 'He looks at us as much as to say "Poor devils!"'
'How mistaken you are in him!' replied René. 'He is rather fond of
going into smart society, it is true, but that is only natural in an
artist. Why, it's the same with me,' he went on, with a smile. 'I was
delighted to go to this affair last night and see that magnificent house
filled with flowers and fine dresses. Do you think that prevents me
appreciating my modest home and my old friends? All writers have that
mad longing for splendour--even Balzac and Musset had it. It is a
childish fancy of no importance.'
Whilst the young man was speaking Rosalie darted a look at her mother
that told of more happiness than her poor eyes had expressed for months
past. In thus confessing to and ridiculing his own inmost feelings,
René was obeying impulses too complicated for the simple girl to
understand. When Madame Offarel had spoken of 'your grand folks' the
young man had seen by the look of anguish in her daughter's eyes that
his love for the false glamour of elegance had not escaped Rosalie's
perspicacity. He was ashamed of being found guilty of such a plebeian
failing, and therefore laid bare his impressions as though he were not
their dupe--partly in order to reassure the girl and spare her
unnecessary pain, partly in order to indulge in a little weakness
without having to reproach himself unduly.
Certain natures--and, owing to the habit of introspection, these are
frequently found amongst writers--find pardon for their sins in mere
confession. In defending Claude Larcher, René, with an irony that would
have escaped sharper critics than a trusting girl, managed to administer
a sharp rebuke to his own follies. Whilst openly ridiculing what he
himself called his snobbishness, he continued to make those
mean-spirited mental comparisons that would force themselves upon him
all that day. He could not help measuring the gulf that separated the
creatures he had seen at Madame Komof's--living blooms reared in the
hothouse of European aristocracy--from the pale-faced and simple-looking
creature before him, her hands spoilt by work, her hair tied back in a
knot, and dressed so plainly as to look almost uncouth. The comparison,
when dwelt upon, became quite painful, and caused the young man one of
those inexplicable fits of ill-humour that always nonplussed Rosalie.
Public-domain text, read in full here on John Shaqi.
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