At Plash the house seemed to shine in the wet air--the tone of the mottled red walls and the limited but perfect lawn to be the work of an artist's brush. Lady Davenant was in the drawing-room, in a low chair by one of the windows, reading the second volume of a novel. There was the same look of crisp chintz, of fresh flowers wherever flowers could be put, of a wall-paper that was in the bad taste of years before, but had been kept so that no more money should be spent, and was almost covered over with amateurish drawings and superior engravings, framed in narrow gilt with large margins. The room had its bright, durable, sociable air, the air that Laura Wing liked in so many English things--that of being meant for daily life, for long periods, for uses of high decency. But more than ever to-day was it incongruous that such an habitation, with its chintzes and its British poets, its well-worn carpets and domestic art--the whole aspect so unmeretricious and sincere--should have to do with lives that were not right. Of course however it had to do only indirectly, and the wrong life was not old Mrs. Berrington's nor yet Lady Davenant's. If Selina and Selina's doings were not an implication of such an interior any more than it was for them an explication, this was because she had come from so far off, was a foreign element altogether. Yet it was there she had found her occasion, all the influences that had altered her so (her sister had a theory that she was metamorphosed, that when she was young she seemed born for innocence) if not at Plash at least at Mellows, for the two places after all had ever so much in common, and there were rooms at the great house that looked remarkably like Mrs. Berrington's parlour.