'Well, you mustn't be an impertinent little American either!' her
interlocutress exclaimed. Laura sat with her for half an hour and the
conversation took a turn through the affairs of Plash and through Lady
Davenant's own, which were visits in prospect and ideas suggested more
or less directly by them as well as by the books she had been reading, a
heterogeneous pile on a table near her, all of them new and clean, from
a circulating library in London. The old woman had ideas and Laura liked
them, though they often struck her as very sharp and hard, because at
Mellows she had no diet of that sort. There had never been an idea in
the house, since she came at least, and there was wonderfully little
reading. Lady Davenant still went from country-house to country-house
all winter, as she had done all her life, and when Laura asked her she
told her the places and the people she probably should find at each of
them. Such an enumeration was much less interesting to the girl than it
would have been a year before: she herself had now seen a great many
places and people and the freshness of her curiosity was gone. But she
still cared for Lady Davenant's descriptions and judgments, because they
were the thing in her life which (when she met the old woman from time
to time) most represented talk--the rare sort of talk that was not mere
chaff. That was what she had dreamed of before she came to England, but
in Selina's set the dream had not come true. In Selina's set people only
harried each other from morning till night with extravagant
accusations--it was all a kind of horse-play of false charges. When Lady
Davenant was accusatory it was within the limits of perfect
verisimilitude.
Public-domain text, read in full here on John Shaqi.
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