He rose, but more slowly; he had got over his first confusion. He smiled at her, but his smile was dreadful. 'Can you have any doubt as to what I have come for? It's a pleasure to me that you have liked me well enough to ask.' For an instant she thought he was coming nearer to her, but he didn't: he stood there twirling his gloves. Then an unspeakable shame and horror--horror of herself, of him, of everything--came over her, and she sank into a chair at the back of the box, with averted eyes, trying to get further into her corner. 'Leave me, leave me, go away!' she said, in the lowest tone that he could hear. The whole house seemed to her to be listening to her, pressing into the box. 'Leave you alone--in this place--when I love you? I can't do that--indeed I can't.' 'You don't love me--and you torture me by staying!' Laura went on, in a convulsed voice. 'For God's sake go away and don't speak to me, don't let me see you or hear of you again!' Mr. Wendover still stood there, exceedingly agitated, as well he might be, by this inconceivable scene. Unaccustomed feelings possessed him and they moved him in different directions. Her command that he should take himself off was passionate, yet he attempted to resist, to speak. How would she get home--would she see him to-morrow--would she let him wait for her outside? To this Laura only replied: 'Oh dear, oh dear, if you would only go!' and at the same instant she sprang up, gathering her cloak around her as if to escape from him, to rush away herself. He checked this movement, however, clapping on his hat and holding the door. One moment more he looked at her--her own eyes were closed; then he exclaimed, pitifully, 'Oh Miss Wing, oh Miss Wing!' and stepped out of the box. When he had gone she collapsed into one of the chairs again and sat there with her face buried in a fold of her mantle. For many minutes she was perfectly still--she was ashamed even to move. The one thing that could have justified her, blown away the dishonour of her monstrous overture, would have been, on his side, the quick response of unmistakable passion. It had not come, and she had nothing left but to loathe herself. She did so, violently, for a long time, in the dark corner of the box, and she felt that he loathed her too. 'I love you!'--how pitifully the poor little make-believe words had quavered out and how much disgust they must have represented! 'Poor man--poor man!' Laura Wing suddenly found herself murmuring: compassion filled her mind at the sense of the way she had used him. At the same moment a flare of music broke out: the last act of the opera had begun and she had sprung up and quitted the box.