Domestic fiction; Frontier and pioneer life -- Fiction; Married women -- Fiction; Nebraska -- Fiction; Psychological fiction
A LOST LADY
by
WILLA CATHER
". . . . . . . . . . . . . . . _Come, my coach!
Good night, ladies; good night, sweet ladies;
Good night, good night._"
MCMLXIII
ALFRED A KNOPF
New York
CONTENTS
PART I
PART II
PART ONE
I
Thirty or forty years ago, in one of those grey towns along the
Burlington railroad, which are so much greyer to-day than they were
then, there was a house well known from Omaha to Denver for its
hospitality and for a certain charm of atmosphere. Well known, that is
to say, to the railroad aristocracy of that time; men who had to do with
the railroad itself, or with one of the "land companies" which were its
by-products. In those days it was enough to say of a man that he was
"connected with the Burlington." There were the directors, the general
managers, vice-presidents, superintendents, whose names we all knew; and
their younger brothers or nephews were auditors, freight agents,
departmental assistants. Everyone "connected" with the Road, even the
large cattle and grain-shippers, had annual passes; they and their
families rode about over the line a great deal. There were then two
distinct social strata in the prairie States; the homesteaders and
hand-workers who were there to make a living, and the bankers and
gentlemen ranchers who came from the Atlantic seaboard to invest money
and to "develop our great West," as they used to tell us.
When the Burlington men were travelling back and forth on business not
very urgent, they found it agreeable to drop off the express and spend a
night in a pleasant house where their importance was delicately
recognized; and no house was pleasanter than that of Captain Daniel
Forrester, at Sweet Water. Captain Forrester was himself a railroad man,
a contractor, who had built hundreds of miles of road for the
Burlington,--over the sage brush and cattle country, and on up into the
Black Hills.
The Forrester place, as every one called it, was not at all remarkable;
the people who lived there made it seem much larger and finer than it
was. The house stood on a low round hill, nearly a mile east of town; a
white house with a wing, and sharp-sloping roofs to shed the snow. It
was encircled by porches, too narrow for modern notions of comfort,
supported by the fussy, fragile pillars of that time, when every honest
stick of timber was tortured by the turning-lathe into something
hideous. Stripped of its vines and denuded of its shrubbery, the house
would probably have been ugly enough. It stood close into a fine
cottonwood grove that threw sheltering arms to left and right and grew
all down the hillside behind it. Thus placed on the hill, against its
bristling grove, it was the first thing one saw on coming into Sweet
Water by rail, and the last thing one saw on departing.
Public-domain text, read in full here on John Shaqi.
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