Domestic fiction; Frontier and pioneer life -- Fiction; Married women -- Fiction; Nebraska -- Fiction; Psychological fiction
She was always there, just outside the front door, to welcome their
visitors, having been warned of their approach by the sound of hoofs and
the rumble of wheels on the wooden bridge. If she happened to be in the
kitchen, helping her Bohemian cook, she came out in her apron, waving a
buttery iron spoon, or shook cherry-stained fingers at the new arrival.
She never stopped to pin up a lock; she was attractive in dishabille,
and she knew it. She had been known to rush to the door in her
dressing-gown, brush in hand and her long black hair rippling over her
shoulders, to welcome Cyrus Dalzell, president of the Colorado & Utah;
and that great man had never felt more flattered. In his eyes, and in
the eyes of the admiring middle-aged men who visited there, whatever
Mrs. Forrester chose to do was "lady-like" because she did it. They
could not imagine her in any dress or situation in which she would not
be charming. Captain Forrester himself, a man of few words, told Judge
Pommeroy that he had never seen her look more captivating than on the
day when she was chased by the new bull in the pasture. She had
forgotten about the bull and gone into the meadow to gather wild
flowers. He heard her scream, and as he ran puffing down the hill, she
was scudding along the edge of the marshes like a hare, beside herself
with laughter, and stubbornly clinging to the crimson parasol that had
made all the trouble.
Mrs. Forrester was twenty-five years younger than her husband, and she
was his second wife. He married her in California and brought her to
Sweet Water a bride. They called the place home even then, when they
lived there but a few months out of each year. But later, after the
Captain's terrible fall with his horse in the mountains, which broke him
so that he could no longer build railroads, he and his wife retired to
the house on the hill. He grew old there,--and even she, alas! grew
older.
II
Public-domain text, read in full here on John Shaqi.
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