Adultery -- Fiction; French fiction -- 19th century
The furniture of the somewhat crowded drawing-room presented that
composite appearance which is characteristic of our time, together with
the peculiarity that everything in it seemed to be almost too new. At a
first glance, certain slight indications would have seemed to show that
its Parisian aspect had been voluntarily aimed at. Objects were
contrasted here and there; there were, for instance, little
old-fashioned silver spoons; on the walls were two excellent copies of
small religious pictures, to which memories of childhood were certainly
linked, and which could have come only from an old country house. The
photographs, also, witnessed, by the dress and demeanour of the
relatives or friends represented, to altogether provincial
relationships. The feeling of contrast would have become still more
perceptible to one visiting the other rooms and finding everywhere
evident tokens that the persons dwelling in them had lived but a very
short time at Paris.
This small-sized drawing-room belonged to a small-sized house situated
at No. 3½, Rue de La Rochefoucauld. The lower part of this street,
which descends in a very steep slope to the Rue Saint-Lazare, comprises
several private houses of very varied build, and a few retired dwellings
surrounded by gardens. The house containing the little drawing-room was
built for an actress by a celebrated financier under the Empire, at a
period when the Rue de la Tour des Dames harboured many princes and
princesses of the footlights. Too small to suit a wealthy family, too
inconvenient, owing to certain deficiencies in accommodation, for
tenants accustomed to the completeness of English comfort, it must have
proved quite seductive to persons accustomed to a semi-country life by
its attraction as a "home," as well as by the quiet pervading the end of
the street, which is rarely affronted by vehicles on account of the
difficulty of the ascent.
During this November evening, although the windows of the little
drawing-room looked upon the courtyard, and the latter opened upon the
street, only a dim and distant murmuring penetrated from without, broken
by occasional gusts of the north wind. Judging by the whistling of this
north wind the night must have been a cold one. So, at least, opined a
fairly young man, one of the three persons assembled in the
drawing-room, as he rose from his chair, set down his empty cup on the
tea-tray with a sigh, and looked at the time-piece.
"Ten o'clock. Must I really go to see the Malhoures this evening? What a
disaster it is to have a sensible wife who thinks about your future!
Never get married, Armand. Listen to that wind! I was so comfortable
here with you. Look here, Helen," he went on, leaning on the back of the
easy-chair in which his wife was seated, "what will happen if I do not
put in an appearance this evening?"
Public-domain text, read in full here on John Shaqi.
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