Adultery -- Fiction; French fiction -- 19th century
But Helen was not capable of such calculations. The most charming trait
in her character was a spontaneity that might draw her into very great
perils, but that at least always preserved her from a foulness which is
more degrading than anything else--reflection in the midst of error. At
this very moment, as she sat crouching upon her low chair, she did not
think about the consequences of her approaching action, nor did she
reason--she felt. The presence of Armand's letter caused her to be
visited with excessive emotion. She scarcely so much as listened to the
noise that her little boy made in playing beside her bed. The child was
shaking his flaxen ringlets, and shouting and running about. He had set
two chairs beside each other, and was creeping between them, pretending
that he was a railway train passing through a tunnel.
Since she had been in love with Armand, Helen had experienced strange
feelings of sadness in the presence of her little Henry, and she had
reproached herself for them as for a lack of tenderness, attributing
them to remorse. In reality, her sorrow was due to the discovery in her
son of an astonishing likeness to her husband. Even in his games the
child recalled the conversation of the father, who from principle gave
him for books nothing but scientific works, and then he had Alfred
Chazel's eyes and his awkwardness in using his hands, and had only his
mother's mouth and forehead. She spoiled him all the more for her
consciousness of what she had taken from him to give to another! The
child continued to play, looking sometimes towards his mother. The
latter, at one moment, heaving a deep sigh, crumpled up the paper that
she held in her hand, and flung it into the fire.
The note had grown intolerable to her. She told herself, indeed, that it
was more prudent on her lover's part to write to her in this tone of
formal politeness, but it was such prudence as freezes, and in Helen's
then unnerved condition she had need of a letter whose every phrase acts
upon the reader's heart like invisible and caressing lips. The crumpled
paper, letter and envelope together, rolled into the fire, and the child
left the two chairs with which he was playing to come to his mother's
side and watch it burn.
"What are you looking at there, darling?" Helen said to him.
"At the nuns, mamma," he replied. So he called the luminous dots that
run across the black surface of paper consumed by fire. These dots were
in his eyes nuns distractedly traversing their burnt cloister. "How they
hurry," he said; "how frightened they are! Oh! that one, mamma, look at
that one! The convent is falling down. They are all dead."
Public-domain text, read in full here on John Shaqi.
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