Adultery -- Fiction; French fiction -- 19th century
Add to this that a son had been born to him, in whom he already
discerned a reflection of his own disposition, and it cannot fail to be
understood how this man would congratulate himself daily for having
taken life, as he had done, with complete submission to all the average
conditions of the social class in which he had been born.
Did these various reflections pass through the mind of the third
individual--the man whom Alfred Chazel had called Armand, as he
contemplated the conjugal tableau through the smoke from a Russian
cigarette which he had just lighted--a liberty which revealed the extent
of his intimacy with the family? The same contrast which separated
Alfred from Helen separated him also from Armand. The latter looked at
first younger than his age, though he too had passed his thirty-second
year. If Alfred's carelessly-worn coat revealed rather the leanness and
disproportion of his body, the frock of the Baron de Querne--such was
Armand's family-name--fitted close to the shoulders and bust of a man,
small but robust, and evidently devoted to fencing, riding, tennis, and
all the sporting habits which the youths of the richer classes have
contracted in imitation of the English, now that political
careers--diplomacy, the Council of State, and the Audit Office--are
denied them by their real or assumed opinions.
The quiet jewellery with which the young baron was adorned, the delicacy
of his hands and feet, and everything in his appearance, from his cravat
and his collar to the curls in his dark hair, and to the turn of his
moustache, drawn out over a somewhat contemptuous lip, disclosed that
deep attention to the toilet which assumes the lengthened leisure of an
idle life. But what preserved De Querne from the commonplaceness usual
to men who are visibly occupied with the trifles of masculine fashion
was a look, in a generally immovable face, of peculiar keenness and
unrest. This look, which was not at all like that of a young man,
contradicted the remainder of his person to the extent of imparting an
appearance of strangeness to one who looked in this way, although a
desire to evade remark, and to be above all things correct, evidently
influenced his mode of dress.
Public-domain text, read in full here on John Shaqi.
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