France -- Social life and customs -- 19th century -- Fiction; Women -- Psychology -- Fiction
And the
young woman’s glance encountered first the Pont des Invalides, next the
Pont de la Concorde, and then the Pont Royal. Bridge followed bridge,
they appeared to get closer, to rise one above the other like viaducts
forming a flight of steps, and pierced with all kinds of arches; while
the river, wending its way beneath these airy structures, showed here
and there small patches of its blue robe, patches which became narrower
and narrower, more and more indistinct. And again did Hélène raise her
eyes, and over yonder the stream forked amidst a jumble of houses; the
bridges on either side of the island of La Cité were like mere films
stretching from one bank to the other; while the golden towers of
Notre-Dame sprang up like boundary-marks of the horizon, beyond which
river, buildings, and clumps of trees became naught but sparkling
sunshine. Then Hélène, dazzled, withdrew her gaze from this the
triumphant heart of Paris, where the whole glory of the city appeared
to blaze.
On the right bank, amongst the clustering trees of the Champs-Elysees
she saw the crystal buildings of the Palace of Industry glittering with
a snowy sheen; farther away, behind the roof of the Madeleine, which
looked like a tombstone, towered the vast mass of the Opera House; then
there were other edifices, cupolas and towers, the Vendome Column, the
church of Saint-Vincent de Paul, the tower of Saint-Jacques; and nearer
in, the massive cube-like pavilions of the new Louvre and the
Tuileries, half-hidden by a wood of chestnut trees. On the left bank
the dome of the Invalides shone with gilding; beyond it the two
irregular towers of Saint-Sulpice paled in the bright light; and yet
farther in the rear, to the right of the new spires of Sainte-Clotilde,
the bluish Panthéon, erect on a height, its fine colonnade showing
against the sky, overlooked the city, poised in the air, as it were,
motionless, with the silken hues of a captive balloon.
Public-domain text, read in full here on John Shaqi.
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