A cheerful party were met in the drawing room of Delmé. Clarendon Gage,
a neighbouring land proprietor, to whom Emily had for a twelvemonth been
betrothed, had the night previous returned from a continental tour. In
consequence, Emily looked especially radiant, Delmé much pleased, and
Clarendon superlatively happy. Nor must we pass over Mrs. Glenallan,
Miss Delmé's worthy aunt, who had supplied the place of a mother to
Emily, and who now sat in her accustomed chair, with an almost sunny
brow, quietly pursuing her monotonous tambouring. At times she turned to
admire her niece, who occasionally walked to the glass window, to caress
and feed an impudent white peacock; which one moment strutted on the
wide terrace, and at another lustily tapped for his bread at ne of the
lower panes.
"I am glad to see you looking so well, Clarendon!"
"And I can return the compliment, Delmé! Few, looking at you now, would
take you for an old campaigner."
The style of feature in Delmé and Clarendon was very dissimilar. Sir
Henry was many years Gage's senior; but his manly bearing, and dark
decided features, would bear a contrast with even the tall and elegant,
although slight form of Clarendon. The latter was very fair, and what we
are accustomed to call English-looking. His hair almost, but not quite,
flaxen, hung in thick curls over his forehead, and would have given an
effeminate expression to the face, were it not for the peculiar flash of
the clear blue eye.
"Come! Clarendon," said Emily, "I will impose a task. You have written
twice in my album; once, years ago, and the second time on the eve of
our parting. Come! you shall read us both effusions, and then write a
sonnet to our happy meeting. Would that dear George were here now!"
Gage took up the book. It was a moderately-sized volume, bound in
crimson velvet. It was the fashion to keep albums _then_. It glittered
not in a binding of azure and gold, nor were its momentous secrets
enclosed by one of Bramah's locks. The Spanish proverb says, "Tell me
who you are with, and I will tell you what you are." Ours, in that album
age, used to be, "Show me your scrap book, I will tell you your
character." Emily's was not one commencing with--
"I never loved a dear gazelle!"
and ending with stanzas on the "Forget-me-not." It had not those
hackneyed but beautiful lines addressed by Mr. Spencer to Lady Crewe--
"I stay'd too late: forgive the crime!
Unheeded flew the hours;
For noiseless falls the foot of Time.
That only treads on flowers."
Public-domain text, read in full here on John Shaqi.
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