Lord Chandos never made any remark upon it--every lady has some foible, some little peculiarity. She was a perfect wife, and this little feeling of small jealousies was not worth mentioning. If they went to a ball and he danced three times with the same lady, he knew he would hear something in faint dispraise. If he admired any one as a good rider or a good dancer, out would come some little criticism; he smiled as he heard, but said nothing--it was not worth while. Like a kind-hearted man he bore this little failing in mind, and, if ever he praised one woman, he took care to add something complimentary to his wife. So the three years had passed and this was the spring-tide of the fourth, the showery, sparkling month of April; violets and primroses were growing, the birds beginning to sing, the leaves springing, the chestnuts budding, the fair earth reviving after its long swoon in the arms of winter. The London season of this year was one of the best known, no cloud of either sorrow or adversity hung over the throne or the country; trade was good, everything seemed bright and prosperous; but the great event of the season was most certainly the first appearance in England of the new singer, Madame Vanira, whose marvelous beauty and wonderful voice were said to drive people mad with excitement and delight. It was to see her that Lord and Lady Chandos went to the Royal Italian Opera on that night in April on which our story is continued. CHAPTER XXXVII. A MEETING OF EYES. The newspapers had already given many details of Madame Vanira. For many long years there had been nothing seen like her. They said her passion and power, her dramatic instinct, her intensity were so great, that she was like electric fire. One critic quoted of her what was so prettily said of another great actress: "She has a soul of fire in a body of gauze." No one who saw her ever forgot her; even if they only saw her once, her face lived clear, distinct, and vivid in their memory forever afterward. No one knew which to admire most, her face or her voice. Her face was the most wondrously beautiful ever seen on the stage, and her voice was the most marvelous ever heard--it thrilled you, it made you tremble; its grand pathos, its unutterable sadness, its marvelous sweetness; those clear, passionate tones reached every heart, no matter how cold, how hardened it might be--one felt that in listening to it that it was the voice of a grand, passionate soul. It was full, too, of a kind of electricity; when Madame Vanira sung she could sway the minds and hearts of her hearers as the winter winds sway the strong boughs. She drew all hearts to herself and opened them. When she sung, it was as though she sung the secret of each heart to its owner.