They said that her soul was of fire and that the fire caught her
listeners; she had power, genius, dramatic force enough in her to
electrify a whole theater full of people, to lift them out of the
commonplace, to take them with her into the fairyland of romance and
genius, to make them forget everything and anything except herself.
Such a woman comes once in a century, not oftener. They called her a
siren, a Circe. She was a woman with a passionate soul full of poetry; a
genius with a soul full of power; a woman made to attract souls as the
magnet attracts the needle.
She made her _debut_ in the theater of San Carlo, in Naples, and the
people had gone wild over her; they serenaded her through the long
starlit night; they cried out her name with every epithet of praise that
could be lavished on her; they raved about her beautiful eyes, her
glorious face, her voice, her acting, her attitudes.
Then a royal request took her to Russia; a still warmer welcome met her
there; royal hands crowned her with diamonds, royal voices swelled her
triumph; there was no one like La Vanira. She was invited to court and
all honors were lavished on her.
From there she went to Vienna, where her success was as great; to Paris,
where it was greater, and now she was to make her _debut_ before the
most critical, calm, appreciative audience in Europe. The papers for
weeks had been full of her; they could describe her grand, queenly
beauty, her wonderful acting, her genius, which was alone in the world,
her jewels, her dresses, her attitudes; but there was nothing to say
about her life.
Even the society journals, usually so well informed, had nothing to say
about Madame Vanira. Whether she were single, or married, or a widow,
none of them knew; of what town, of what nation, even of what family,
none of them knew.
She seemed to be quite alone in the world, and against her even the
faintest rumor had never been heard; she was of irreproachable
propriety, nay, more, she was of angelic goodness--generous, truthful,
charitable and high-minded. There was not a whisper against her good
name--not one. She had a legion of admirers, none of whom could boast of
a favor; she answered no letters; she gave no interviews; she accepted
no invitations; she visited among some of the most exclusive circles,
where she was received as an equal; she had had offers of marriage that
would have made any other woman vain; she refused them all; she seemed
to live for her art, and nothing else. Such a description naturally
excited the curiosity of people, and the result was a house so crowded
that it was almost impossible to find room.
"We may think ourselves fortunate," said Lady Chandos. "I have never
seen the house so crowded, and, do not laugh, Lance, I do not see a
prettier toilet than my own."
Public-domain text, read in full here on John Shaqi.
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