Sir Arthur thinks that I have great mediumistic powers and that
some of my feats are done with the aid of spirits. Everything I do
is accomplished by material means, humanly possible, no matter how
baffling it is to the layman. He says that I do not enter a seance in
the right frame of mind, that I should be more submissive, but in all
the seances I have attended I have never had a feeling of antagonism.
I have no desire to discredit Spiritualism; I have no warfare with
Sir Arthur; I have no fight with the Spiritists; but I do believe it
is my duty, for the betterment of humanity, to place frankly before
the public the results of my long investigation of Spiritualism.
I am willing to be convinced; my mind is open, but the proof must
be such as to leave no vestige of doubt that what is claimed to be
done is accomplished only through or by supernatural power. So far I
have never on any occasion, in all the seances I have attended, seen
anything which would lead me to credit a mediumistic performance with
supernatural aid, nor have I ever seen anything which has convinced me
that it is possible to communicate with those who have passed out of
this life. Therefore I do not agree with Sir Arthur.
CHAPTER X
WHY ECTOPLASM?
Years have passed since my first meeting with the Hon. Everard
Feilding! Many times during those years I have discussed Spiritualism
with him and no one has ever been more interested than he in the
results of my investigations and study of it and it was through his
help that I was able to investigate personally the famous Eva Carriere,
better known perhaps as Mlle. Eva.
One evening in the spring of 1920 during a quiet dinner at his
home in London the conversation drifted toward Ectoplasm. I told
Mr. and Mrs.[95] Feilding about attending a Sunday meeting of the
London Psychical College through the courtesy of Hewat McKenzie. At
this meeting Mme. Bisson and Mlle. Eva were introduced by Fornieur
d’Albe and Mme. Bisson while delivering an impromptu talk seized the
opportunity to resent the attack of a French magician and to explain in
unmistakable tones her antagonism toward prestidigitators.
Public-domain text, read in full here on John Shaqi.
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