“I think my experience in Liverpool stands out as the most prominent
example of ‘Fair Play’ ever dealt out to any American citizens and a
nauseating example to all foreigners of ‘’ow’ the average Englishman
does things at ‘’ome.’... It was well known that we were Northern
men, and the world knows how the English sympathized with the slave
holders’ rebellion, and they did not miss any opportunity of showing
how they felt at the time on the subject. While pretending that their
brutal displays of hostility were caused by our refusal to be tied by
a particular kind of knot, in fact our only offence was, objecting
to be tortured at the risk of being permanently maimed or crippled
for life.... Our appeal to the British public at the time is a plain
truthful statement of the facts, regarding the riots in Liverpool,
Huddersfield, and Leeds which several of the English papers had the
fairness to publish. All England seemed to have gone mad on the subject
of cabinet smashing and speculative sharpers reaped a rich harvest
selling bogus pieces of smashed Davenport cabinet. Wood enough was sold
in small pieces to make ten times as many cabinets as the Davenport
Brothers ever used during their public career.... Although I am now in
my 70th year, I would not for one moment hesitate to face the public
of Liverpool, Huddersfield, and Leeds, and try conclusions with them
again, drawing no line or limitations except those of torturing or
maiming one for life.... I shall always feel a great deal of pleasure
in your success, especially in meeting and overcoming anything in the
nature of hostility and opposition. I remember seeing a notice of the
death of Dr. Slade quite a while ago. I became acquainted with him in
1860. He then resided in the State of Michigan.”
The above excerpt shows the pluck and courage of a genuine showman at
the age of seventy, still ready for a tussle with an entertainment
based on natural laws.
The Davenport Brothers while exhibiting in Manchester, England, had
the distinction of being publicly imitated and ridiculed by two
celebrated actors, Sir Henry Irving and Edward A. Sothern, who were
appearing at the Theatre Royal. With some friends they had witnessed
a performance by the Davenport Brothers and determined to expose what
Irving termed a “shameful imposture.” With the assistance of these men
he gave a private performance in imitation of the Davenport seance at a
popular club and was so successful that he was requested to repeat it
in a large hall. So on Saturday, February 25, 1865, the Library Hall
of the Manchester Athenæum was filled with an audience invited to
witness “a display of ‘preternatural philosophy’ in a private seance
à la Davenport provided by some well-known members of the theatrical
profession playing in the city.
Public-domain text, read in full here on John Shaqi.
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