A Maid at King Alfred's Court: A Story for GirlsMadison, Lucy Foster
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A Maid at King Alfred's Court: A Story for Girls
Madison, Lucy Foster
Alfred, King of England, 849-899 -- Juvenile fiction
Wulfhere, Ælfric, and Egwina were welcomed by the monks and refreshed by
the bath, for the Saxons were a cleanly people, and fond of bathing;
then were they called into a long, low hall, the refectory or
dining-room, and invited to partake of supper. Cakes of barley, fish,
swine flesh, milk, eggs, and cheese, with plenty of mead to wash it
down, constituted the repast; for even the priests of this hardy race
were hearty eaters and fond of good cheer.
The meat was passed round on spits, and each one cut a portion for
himself with his knife, and then ate it, using the fingers to convey the
food to the mouth, as there were no forks.
After the meal, all gathered round the fire which was built in the
centre of the room, the smoke escaping through a hole or cover in the
roof.
“It is forbidden us to listen to the songs of the people,” said the
abbot addressing Wulfhere, “but mayhap thou canst sing to us the songs
of the Church.”
“Nay, good father,” answered Wulfhere, “I am not skilled in sacred
song.”
“Cannot thy daughter sing them?” asked the abbot. “Truly it were ill if
so fair a flower should know naught of the songs of the Faith.”
“I know not,” replied Wulfhere in perplexity.
“There is one that I know,” interrupted Egwina, softly. “It was one that
my mother sang.”
“Let us hear it, daughter,” said the abbot.
Without hesitation, Egwina then sang the “Crist” of Cynewulf.
“It was well sung,” commented the abbot, after Egwina had concluded.
“Sweet is it to Him when the voice of youth sounds His praises. Knowest
thou no more, my child?”
“Nay, I know none other,” answered Egwina.
“Thou must not think ill of us, father,” spoke the harper hastily, “that
we wot not of these things. Our aim is to please the people, and the
mead hall cares but for the song of the warrior or of glory.”
“True,” answered the abbot, “yet Aldhelm used thy art to advantage. Hast
thou not heard how the good priest stood on the bridge of Malmesbury,
where the ministrels were wont to stand, because the people would not
come to worship, and there did he sing of war and the heroes, until
attracted by the sweetness of his voice, he had gained their attention?
Then did he change the words, and sing to them of the Holy One and the
blessed Virgin. In which manner many were instructed in our sacred
religion and brought to the Church.”
“Sayest thou so, good father?” broke in Ælfric, the juggler. “Marry! but
well would it please me to hear such songs! Canst thou or thy monks sing
for us any of the songs that he sang?”
“There is one, brother, which is food for reflection. That we will sing
thee, and then after the Te Deum. Then shall ye tell us if aught hath
happened recently from the Dane.”
Without further ado, the monks began singing the following dismal dirge,
the brief metre sounding abruptly on the ear with a measured stroke like
the passing bell:
Public-domain text, read in full here on John Shaqi.
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