"My boy--my boy! Don't be hasty. Take time to think. I'll go further;
I'll paint a few iron bars in front of the harp. Suggestive of a
prisoner in jail thinking of mother. Say 'yes'."
"No."
"Too bad!" murmured Mr. Mackintosh in disappointed but not altogether
convinced tones. "You could use another alias, you know. If you're
afraid the police might pipe your game and nab--"
"Drop it, or--"
"All right, Mr. Heatherbloom, or any other blooming name!" Recovering
his jocular manner. "It's not for me to inquire the 'why,' or care a rap
for the 'wherefore.' Ethics hasn't anything to do with the realm of
art."
As he spoke he reached under the desk and took out the jug. "Have some?"
extending the tumbler.
The thin lips of the other moved, his hand quickly extended but was
drawn as suddenly back. "Thanks, but I'm on the water wagon, old chap."
"Well, I'm not. Do you know you said that just like a gentleman--to the
manner born."
"A gentleman? A moment ago I was a reformed burglar."
"You might be both."
Mr. Heatherbloom looked into space; Mr. Mackintosh did not notice a
subtle change of expression. That latter gentleman's rapt gaze was
wholly absorbed by the half-tumblerful he held in mid air. But only for
a moment; the next, he was smacking his lips. "We'll have a bite to eat
and then go," he now said more cheerfully. "Ready for luncheon?"
"I could eat"
"Had anything to-day?"
"Maybe."
"And maybe, not!" Half jeeringly. "Why don't you say you've been
training down, taking the go-without-breakfast cure? Say, it must be
hell looking for a job when you've just 'got out'!"
"How do you know I just 'got out'?"
"You look it, and--there's a lot of reasons. Come on."
Half an hour or so later the covered wagon drove along Fourteenth
street. Near the curb, not far from the corner of Broadway, it separated
itself from the concourse of vehicles and stopped. Close by, nickel
palaces of amusement exhibited their yawning entrances, and into these
gilded maws floated, from the human current on the sidewalk, a stream of
men, women and children. Encamped at the edge of this eddy, Mr.
Mackintosh sounded on the nomadic piano, now ensconced within the coach
of concord, the first triumphal strains of the maternal tribute in
rag-time.
He and the conspiring instrument were concealed in the depths of the
vehicle from the gaze of the multitude, but Mr. Heatherbloom at the back
faced them on the little step which served as concert stage. There were
no limelights or stereopticon pictures to add to the illusion,--only the
disconcerting faces and the light of day. He never before knew how
bright the day could be but he continued to stand there, in spite of the
ludicrous and trying position. He sang, a certain daredevil light in
his eye now, a suspicion of a covert smile on his face. It might be
rather tragic--his position--but it was also a little funny.
Public-domain text, read in full here on John Shaqi.
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