That night at half-past seven he began his novel. The opening chapter was introductory, and the words came without much effort. This being only a draft, there was no need for polish; so that when a sentence refused to run smoothly at the first trial, he was content to make it grammatical and leave it. He seemed to have been working for hours when a desire took him to count up what was already written. Six hundred words! He sighed the sigh of satisfaction, and looked at his watch, to find that it was exactly half-past eight. The discovery somewhat damped his felicity. He began to doubt whether stuff composed at the rate of ten words a minute could have any real value. Pooh! Sometimes one wrote quickly, and sometimes slowly. The number of minutes occupied was no index of quality. Should he continue writing? Yes, he would.... No.... Why should he? He had performed the task self-allotted for the day, and more; and now he was entitled to rest. True, the actual time of labour had been very short; but then, another day the same amount of work might consume three or four hours. He put away his writing-things, and searched about for something to read, finally lighting on "Paradise Lost." But "Paradise Lost" wanted actuality. He laid it aside. Was there any valid reason why he should not conclude the evening at the theatre? None. The frost had returned with power, and the reverberation of the streets sounded invitingly through his curtained windows. He went out, and walked briskly up Park Side. At Hyde Park Corner he jumped on an omnibus. It was the first night of a new ballet at the Ottoman. "Standing-room only," said the man at the ticket-office. "All right," said Richard, and, entering, was greeted with soft music, which came to him like a fitful zephyr over a sea of heads. CHAPTER XXIX