England -- Fiction; London (England) -- Fiction; Man-woman relationships -- Fiction
But most of the beautiful ideas which he had persuaded himself
were firmly within his grasp, now eluded him, or tardily presented
themselves in a form so obscure as to be valueless, and the useful few
that remained defied all attempts to bring them into order. Dashed by
his own impotence, he sought out the article on Sark, and examined it
afresh. Certain weekly organs of literature had educated him to sneer
at the journalism of the daily press, but it appeared that the man who
wrote "An Island of Sleep" was at least capable of expressing himself
with clearness and fluency, and possessed the skill to pass naturally
from one aspect of his subject to another. It seemed simple enough....
He went to the window.
The sky was a delicate amber, and Richard watched it change to rose,
and from rose to light blue. The gas-lamps glared out in quick
succession; some one lowered the blind of a window opposite his own,
and presently a woman's profile was silhouetted against it for a
moment, and then vanished. A melody came from the public house, sung
in a raucous baritone to the thrumming of a guitar; the cries of the
playing children had now ceased.
Suddenly turning into the room, he was astonished to find it almost in
darkness; he could distinguish only the whiteness of the papers on the
table.
He was not in the mood for writing to-night. Some men wrote best in
the evening, others in the morning. Probably he belonged to the latter
class. Be that as it might, he would rise at six the next morning and
make a new beginning. "It's only a question of practice, of course," he
said, half aloud, repressing a troublesome dubiety. He would take a
short walk, and go early to bed. Gradually his self-confidence returned.
As he closed the front door there was a rustle of silks and a transient
odour of violets; a woman had gone by. She turned slightly at the sound
of the door, and Richard had a glimpse of a young and pretty face
under a spreading hat, a full, ripe bust whose alluring contours were
perfectly disclosed by a tight-fitting bodice, and two small white
hands, in one a dangling pair of gloves, in the other an umbrella. He
passed her, and waited at the corner by Tattersall's till she overtook
him again. Now she stood on the kerb within six feet of him, humming an
air and smiling to herself. Up went the umbrella to signal for a hansom.
"The Ottoman," Richard heard her say across the roof of the cab, the
driver leaning forward with his hand to his ear. What a child's voice
it seemed, lisping and artless!
The cabman winked at Richard, and gently flicked his horse. In a moment
the hansom was two dwindling specks of red in a shifting multitude of
lights.
An hour later he saw her in the promenade of the theatre; she stood
against a pillar, her eyes on the entrance. As their glances met,
she threw her head a little backwards, like one who looks through
spectacles on the end of his nose, and showed her teeth. He sat down
near her.
Public-domain text, read in full here on John Shaqi.
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