England -- Fiction; London (England) -- Fiction; Man-woman relationships -- Fiction
"I did, sir. Everyone does it that comes to anything. I didn't come to
anything, though I made a bit of money at one time. But then mine was
a queer case. I was knocked over by dyspepsia. Beware of dyspepsia. I
was violently dyspeptic for twenty years--simply couldn't write. Then
I cured myself. But it was too late to begin again." He spoke in gulps
between mouthfuls of fish.
"How did you cure yourself?"
The man took no notice of the question, and went on:--
"And if I haven't written anything for twenty years, I'm still an
author at heart. In fact, I've got something 'in the air' now. Oh! I've
always had the literary temperament badly. Do you ever catch yourself
watching instinctively for the characteristic phrase?"
"I'm afraid I don't quite know what you mean."
"Eh?"
Richard repeated what he had said, but Mr. Aked was absorbed in pouring
out another glass of wine.
"I wish you'd tell me," Richard began, after a pause, "how you first
_began_ to write, or rather to get printed."
"My dear little friend, I can't tell you anything new. I wrote for
several years and never sold a line. And for what peculiar reason,
should you think? Simply because not a line was worth printing. Then my
things began to be accepted. I sold a story first; I forget the title,
but I remember there was a railway accident in it, and it happened to
come before the editor of a magazine just when everyone was greatly
excited about a railway smash in the West of England. I got thirty
shillings for that."
"I think I should get on all right enough if only I could sell _one_
thing." Richard sighed.
"Well, you must wait. Why, damn it all, man!"--he stopped to drink, and
Richard noticed how his hand shook. "How long have you been working
seriously? Not a year! If you were going in for painting, you surely
wouldn't expect to sell pictures after only a year's study?" Mr. Aked
showed a naïve appreciation of himself in the part of a veteran who
deigns to give a raw recruit the benefit of vast experience.
"Of course not," assented Richard, abashed.
"Well, then, don't begin to whine."
After the cheese Mr. Aked ordered coffee and cognac, and sixpenny
cigars. They smoked in silence.
"Do you know," Richard blurted out at length, "the fact is I'm not
sure that I'm meant for writing at all. I never take any pleasure
_in_ writing. It's a confounded nuisance." He almost trembled with
apprehension as he uttered the words.
"You like thinking about what you're going to write, arranging,
observing, etc.?"
"Yes, I like that awfully."
"Well, here's a secret. No writer does like writing, at least not one
in a hundred, and the exception, ten to one, is a howling mediocrity.
That's a fact. But all the same they're miserable if they don't write."
"I'm glad; there's hope."
When Richard had finished his coffee, it occurred to him to mention
Miss Roberts.
"Do you ever go to the Crabtree?" he asked.
"Not of late."
Public-domain text, read in full here on John Shaqi.
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