England -- Fiction; London (England) -- Fiction; Man-woman relationships -- Fiction
Richard never took his dazed eyes from the stage. The moving pageant
unrolled itself before him like a vision, rousing new sensations,
tremors of strange desires. He was under a spell, and when at last the
curtain descended to the monotonous roll of drums, he awoke to the fact
that several people were watching him curiously. Blushing slightly,
he went to a far corner of the promenade. At one of the little tables
a woman sat alone. She held her head at an angle, and her laughing,
lustrous eyes gleamed invitingly at Richard. Without quite intending to
do so he hesitated in front of her, and she twittered a phrase ending
in _chéri_.
He abruptly turned away. He would have been very glad to remain and say
something clever, but his tongue refused its office, and his legs moved
of themselves.
At midnight he found himself in Piccadilly Circus, unwilling to go
home. He strolled leisurely back to Leicester Square. The front of the
Ottoman was in darkness, and the square almost deserted.
CHAPTER IV
He walked home to Raphael Street. The house was dead, except for a
pale light in his own room. At the top of the bare, creaking stairs he
fumbled a moment for the handle of his door, and the regular sound of
two distinct snores descended from an upper storey. He closed the door
softly, locked it, and glanced round the room with some eagerness. The
smell of the expiring lamp compelled him to unlatch both windows. He
extinguished the lamp, and after lighting a couple of candles on the
mantelpiece drew a chair to the fireplace and sat down to munch an
apple. The thought occurred to him: "This is my home--for how long?"
And then:
"Why the dickens didn't I say something to that girl?"
Between the candles on the mantelpiece was a photograph of his sister,
which he had placed there before going out. He looked at it with a half
smile, and murmured audibly several times:
"Why the dickens didn't I say something to that girl, with her _chéri_?"
The woman of the photograph seemed to be between thirty and forty years
of age. She was fair, with a mild, serious face, and much wavy hair.
The forehead was broad and smooth and white, the cheek-bones prominent,
and the mouth somewhat large. The eyes were a very light grey; they
met the gaze of the spectator with a curious timid defiance, as if to
say, "I am weak, but I can at least fight till I fall." Underneath the
eyes--the portrait was the work of an amateur, and consequently had not
been robbed of all texture by retouching--a few crowsfeet could be seen.
Public-domain text, read in full here on John Shaqi.
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