United States -- Social life and customs -- 19th century -- Fiction
"Why, Cousin Sarah Ann, what do you mean? I really am not sure that I
understand you."
"Oh! I say nothing; but those rides every morning and all that
housekeeping that I've heard about, are dangerous things, cousin. I was
a belle once myself."
It was one of Cousin Sarah Ann's favorite theories that she knew all
about bellehood, having been a belle herself--though nobody else ever
knew anything about that particular part of her career.
"Well, Cousin Sarah Ann, I do not think I have lost my heart, as you
phrase it; but pray tell me why you should be sorry for me if I had?"
Mr. Robert was at first about to declare positively that he had not
fallen in love with Cousin Sudie, but just at that moment it occurred to
him that he might possibly be mistaken about the matter, and being
thoroughly truthful he chose the less positive form of denial,
supplementing it, as we have seen, with a question.
"Well, for several reasons," replied Cousin Sarah Ann: "they do say that
Charley Harrison is before you there, and anyhow, it would never do.
Sudie hasn't got much, you know. Her father didn't leave her anything
but a few hundred dollars, and that's all spent long ago, on her clothes
and schooling."
Mr. Robert Pagebrook certainly did not wish ill to Cousin Sudie, and yet
he was heartily though illogically glad when he learned that that young
lady was poor. The feeling surprised him, but he had no time in which
to analyze it just then.
"Why, Cousin Sarah Ann, you certainly do not think me so mercenary as
your remark would seem to indicate?"
"Oh! it's well enough to talk about not being mercenary, but I can tell
you that some money on one side or the other is very convenient. I know
by experience what it is to be poor. I might have married rich if I'd
wanted to, but I had lofty notions like you."
The reader will please remember that I am no more responsible for Mrs.
Pagebrook's syntax than for her sins.
"But, Cousin Sarah Ann," said Robert, "you would not wish one to marry a
young woman's money or lands, would you?"
"That's only your romantic way of putting it. I don't see why you can't
love a rich girl as well as a poor one, for my part. If you had plenty
of money yourself it wouldn't matter; but as it is you ought to marry so
as to hang up your hat."
"I confess I do not exactly understand your figure of speech, Cousin
Sarah Ann! What do you mean by hanging up my hat?"
"Didn't you ever hear that before? It's a common saying here, when a man
marries a girl with a good plantation and a 'dead daddy,' so there can't
be any doubt about the land being her's--they say he's got nothing to do
but walk in and hang up his hat."
Public-domain text, read in full here on John Shaqi.
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