England -- Social life and customs -- Fiction; Guardian and ward -- Fiction; Inheritance and succession -- Fiction; Love stories
Meanwhile he was putting in a few off-hours at Coney Island. He had
watched the islanders bathing, had witnessed a display of highly--not to
say epileptically--Animated Pictures, had spent half-an-hour in an open
_café-chantant_, where a bevy of tired-looking girls in short skirts
pranced about with mechanical abandon at the back of the small stage,
shouting the chorus of a ditty which a wheezy lady (who looked like the
mother of all chorus-girls) was singing at the front; and had declined a
pressing invitation from the keeper of an Anatomical Museum to step
inside and "have a dollar's worth for a dime."
Finally he drifted into a small theatre, where a melodrama of distinctly
British flavour (seasoned to the Coney Island palate by a few distinctly
local interpolations) was unfolding itself to a closely packed and
hard-breathing audience.
To judge from the state of the atmosphere the entertainment had been in
progress for some time. As Hughie took his seat the curtain rose on a
moonlit military scene. Figures wrapped in great-coats sat round a
camp-fire on the audience's right hand, the only plainly recognisable
character being the Heroine, who, attired as a hospital nurse and
positively starred with red crosses, was sewing aloofly upon an erection
which looked like a sarcophagus, but was marked in plain figures
"Ambulence." A sentry, who from his gait Hughie took (rightly) to be the
Comic Man, was pacing up and down at the back.
Presently the guard was changed, with much saluting of a pattern unknown
at any War Office, and the Comic Man, released from duty, was called
upon to sing "that dear ole song you useter sing at 'ome." The cold
light of the moon having been temporarily replaced by broad daylight in
order to give the singer's facial expression full play, he obliged;
though why any one who had heard him sing the song before should have
asked him to sing it again passed Hughie's comprehension. Next a
drummer-boy (female) was called upon by the company, and after a great
exhibition of reluctance,--fully justified by her subsequent
performance,--gave vent to a patriotic ditty, in which the only
distinguishable rhymes were "Black Watch" and "Scotch."
These revels brought the Hero on to the stage. He was attired in
clerical dress and a cavalry helmet; and, sitting down beside the
Heroine upon the sarcophagus, he proceeded, oblivious of the presence of
the entire guard, who were huddled round the fire not more than five
feet away, to make her a proposal of marriage; quoting Scripture to some
purpose, and extorting a demure affirmative from the lady just before
the Comic Man, who had obviously been lamenting that the success of the
piece should be imperilled by such stuff as this, upset the soup-kettle,
and so gave a fresh turn to the proceedings.
Public-domain text, read in full here on John Shaqi.
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