England -- Social life and customs -- Fiction; Guardian and ward -- Fiction; Inheritance and succession -- Fiction; Love stories
Noddy Kinahan was not accustomed to bestow favours in vain. He walked
round behind the piano, and, taking the girl firmly by the shoulders
with his left arm, held the sizzling tumbler to her lips. She uttered a
strangled cry, left off playing, and struggled frantically to seize the
glass with her hands.
Now Hughie Marrable had a healthy prejudice in favour of minding his own
business. He had witnessed scenes of this description before, and he
knew that, place and company considered, the girl at the piano was
probably not unaccustomed to accept refreshment at the hands of
gentlemen, even when the gentleman was half-drunk, the hands dirty, and
the refreshment (after allowing a generous discount for spillings)
sufficiently potent to deprive any ordinary woman, within ten minutes,
of any sort of control over her own actions or behaviour. Moreover,
Hughie had a truly British horror of a scene. _But_--
He was surprised to feel himself leap from his chair and bound toward
the piano. His surprise, however, was nothing to that experienced a
moment later by Mr. Noddy Kinahan, who, having succeeded in pinning the
desperately resisting girl's arms to her sides, was now endeavouring to
prise her lips open with the edge of the tumbler. But there are slips
even after the cup has reached the lip. Just as success appeared to be
about to crown Mr. Kinahan's hospitable efforts, a large and sinewy hand
shot over his right shoulder and snatched away the glass, which it threw
under the piano. Simultaneously an unseen force in the rear shook him
till his teeth rattled, and then, depressing his head to the level of
the keyboard, began to play a lively if staccato tune thereon with the
point of Mr. Kinahan's rubicund and fleshy nose.
These operations were more or less screened from the public view by the
body of the piano, which was an "upright" of the cottage variety. But
the sudden cessation of "The Washington Post" in favour of what sounded
like "The Cat's Polka" played by a baby with its feet, brought the
proprietor of the establishment hurrying across the room. He arrived
just in time to be present at the conclusion of a florid chromatic scale
of about four octaves, executed under the guidance of Hughie Marrable's
heavy hand by Mr. Kinahan's somewhat abraded nasal organ.
The instrumental part of the entertainment now terminated in favour of a
vocal interlude. Hughie released his grip of Mr. Noddy Kinahan's collar,
and stood back a pace waiting for a rush. He was confident that, given a
clear floor and no interference, he could offer his burly opponent a
lesson in manners which he would never forget.
Public-domain text, read in full here on John Shaqi.
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