England -- Social life and customs -- Fiction; Guardian and ward -- Fiction; Inheritance and succession -- Fiction; Love stories
"What did you get?" asked Hughie.
"Dollar a night."
"It's not much."
"It's better than starvation," said practical little Mrs. Maclear.
"And what are you going to do next?"
"I'm not going back to old Bercotti's again--that's flat."
"Can you get another berth?"
"Well, if there happens to be anybody in this simple and confiding
country who is willing to take on as accompanist or teacher a young
woman of shabby-genteel appearance, who is unable to mention a single
soul as a reference, and has no character to show from her former
employer--it ought to be easy!" said the girl.
Hughie regarded her reflectively.
"You take it well. I admire your pluck," he said.
"A married woman with a husband to keep has no time to worry about
pluck," replied Mrs. Maclear; "she just _has_ to do things. Besides, all
the pluck in the world can't save a woman when Noddy Kinahan is about.
If it hadn't been for you--by the way, would you mind telling me your
name? You know mine."
Hughie told her. Presently they left the trolley-car--_anglicè_,
electric-tram--and struck off down a street in Brooklyn. The girl turned
in at a doorway, and paused at the foot of a stair.
"Won't you come up and see my husband, Mr. Marrable?" she said. "It's
ten flights up, and we don't run to an elevator; but I know Dennis would
like to thank you himself."
Hughie had intended to refuse,--he hated being thanked as much as most
matter-of-fact people,--but, a flash of unusual insight revealing to him
the fact that the true object of the invitation was not to exhibit him
to the husband, but to enable this proud little lady to exhibit her
husband to him, he felt reassured, and allowed himself to be borne aloft
to the Maclear eyrie. Here a gigantic and impulsive son of Kerry, gaunt
and hollow-eyed through long bed-keeping, wrung his hand in a manner
which made him feel glad he was not a refractory terminal, what time
Mrs. Maclear, in a sort of up-to-date version of the song of Miriam,
described Hughie's glorious triumph over Noddy Kinahan, laying special
stress upon the ecstatic period during which Mr. Kinahan, at the
instance of Hughie, had enacted the part of a human pianola.
He left them at last, wondering in his heart, as he tramped home under
the stars to his hotel in West Forty-Second Street, what the plucky
couple were going to live on during the next two or three months. The
man was still practically a cripple,--he must have been badly
mangled,--and it is hard work fighting for time in a country whose
motto, as regards human as well as other machinery, is: "Never repair!
Scrap, and replace!"
Hughie had solved the problem to his satisfaction by the time he crossed
Brooklyn Bridge.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account