My new employer, Mr. Perry, the tin-can man, was a strange type. He had
grown up in a fruit preserving industry and at thirty-odd he had
invented a method of crimping the tops onto cans, without the use of
solder. Good luck had given him an honest business partner and the
patent had made a fortune for both of them. When the first instalment of
royalties had come in, Perry had stopped stirring the kettle of
raspberry preserves and had not done a stroke of work since. At forty he
had built a "mansion" in the city and had gone in for politics. He
bought his way to a seat in the State Senate, only to find that it bored
him to extinction. After several other fads had proved uninteresting,
he had set his heart on a LL.D. A friend had advised him to donate a
valuable collection of books to some college.
He had sent a large check to a London dealer and this heterogeneous mass
had been the result. As his interest in the matter had been only
momentary he was decidedly penurious about it after the first outlay.
That, I suppose, is why I, instead of a recognized authority, was chosen
for the work. He had no idea what the catalogue should be like, and his
one instruction to me, was to make it "something scholarly."
There was in his monstrous mansion an apartment originally designed for
the children’s tutor. But there had never been any children. These
quarters were given to me. There was a private entrance, a bedroom,
bath and study, where my meals were served, and there was a stairway
down to the library.
In the three years I worked for him I did not see him ten times. His
wife was dead, he lived away a good deal and, to my great satisfaction,
he never invited me to his bachelor parties—the reverberations of which
sometimes shook me out of sleep. Once every six months or so he would
bring an expert to look over my work. As they found no fault and he
could not understand it, he was convinced that it was scholarly.
It was a period of great content for me. The rut into which I fell was
deep indeed. I saw no one. Almost my only contact with others was by
mail. And my letters all related to my specialty. Eight full hours I
worked in the library. The architect had not expected Mr. Perry to do
much reading and, the windows being few, the room was gloomy. I had
often to use artificial light. At five I went for an hour’s walk in the
park. At least this was my theory. But the least inclemency was an
excuse to take some manuscript up to my room, to my shaded lamp and open
fire. The daily eight hours on the catalogue was only a beginning. As
soon as I had finished my edition of "Ralph Roister-Doister," I began a
monograph on Anglo-Saxon Roots. My ambition was to win a fellowship in
an English University. By the time my catalogue was finished, I would
have enough money put by for a year or more of study in Oxford. My life
was mapped out.
*II*
The darkness came unexpectedly.
Public-domain text, read in full here on John Shaqi.
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