_The Forerunners._--Early and minor poets in the South need not long
detain us. William Crafts (1789-1826), of Charleston, South Carolina,
a graduate of Harvard, and an orator of repute, composed a “Raciad,”
or epic on horse-racing, and “Sullivan’s Island.” His “Miscellaneous
Writings” (1828) were published posthumously. William J. Grayson
(1788-1863), who was more voluminous, attempted in his poem “The
Hireling and the Slave” (1856) to represent slavery as a preferable
state for the negro. Richard H. Wilde (1789-1847), Edward C. Pinkney
(1802-28), George H. Calvert (1803-89), Philip P. Cooke (1816-50)
and others, show a range of imitation running all the way from Byron
through Scott and Moore to Tennyson. Cooke’s “Florence Vane” was warmly
admired by Poe. Albert Pike (1809-91), should be remembered as the
author of “Dixie,” which, “set to a popular air which has been traced
back to slavery times in New York State, became, in a multitude of
variations, a Southern Marseillaise” (Onderdonk).
_Timrod_, _Hayne_, _and Simms_.--Of a high order was the poetry of that
champion of the Southern cause Henry B. Timrod (1829-67). Denied by
fortune the sort of education that he craved, striving throughout much
of his life with poverty and sickness, and finally defeated, saddened
by personal bereavement as well as by the downfall of the South, Timrod
died before he could make adequate report of his endowments. His volume
of “Poems” (1860), issued at the beginning of the Civil War, was almost
unnoticed; and even yet he has not obtained the recognition due him.
His devotion to the South was not greater than his reverence for his
art. Few of our poets have so clearly understood themselves and their
craft. Unusual courage breathes in all he wrote. In the year of his
death, a prey to disease and sorrow, he could say to the Confederate
soldiers buried “At Magnolia Cemetery”:
Sleep sweetly in your humble graves,
Sleep, martyrs of a fallen cause;
Though yet no marble column craves
The pilgrim here to pause.
In seeds of laurel in the earth
The blossom of your fame is blown,
And somewhere, waiting for its birth,
The shaft is in the stone.
Public-domain text, read in full here on John Shaqi.
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