Timrod’s works were brought to light again in 1873 by Paul Hamilton
Hayne (1830-86), who, prior to the war, had united with Simms and
Timrod to erect, if possible, the drooping spirit of poetry in the
South. Hayne’s “Poems” (1855) and “Sonnets and Other Poems” (1857) had
a chance to make their way before the outbreak of hostilities; and
he survived the conflict long enough to publish “Legends and Lyrics”
(1872) and “The Mountain of the Lovers, and Other Poems” (1873). A
complete edition of his poems appeared in 1882. “The Laureate of the
South,” as he was called, was an enthusiast in sub-tropical life and
scenery, a word-painter and word-musician after the manner of Poe.
His music is more obvious than Timrod’s and not so likely to please
a delicate ear; and he did not have Timrod’s unity and clearness of
conception.
Less careful still in his workmanship, and still more lacking in
concentration, was the third of the trio, William Gilmore Simms
(1806-70). Simms was a most abundant writer, known later for his novels
and biographies rather than his poems. In his earlier poetry he was
under the sway of Byron and Moore. His scanty advantages in the way
of schooling were atoned for in part by voluminous indiscriminate
reading; yet he never overcame certain defects in thinking to which
self-taught men are prone. His first publication was “Lyrical and Other
Poems” (1827). “Atalantis” (1832), a closet-drama in blank verse, in
its general structure harks back to Shelley’s “Prometheus Unbound.” His
selected works, in nineteen volumes, were published in 1859. Simms’
commanding presence, the vigour of his personality, his determination
to conquer all obstacles in his own path, and to vitalise the literary
atmosphere of the South, make him an impressive, even heroic, figure.
_Edgar Allan Poe._--The life of Edgar Allan Poe (1809-49) is duly
recounted in another place, where his prose fiction is handled at some
length. When Poe ran away from the ledgers in his guardian’s office,
he carried with him in manuscript the first heir of his invention,
“Tamerlane and Other Poems,” for which he found a publisher at Boston
(1827). “Al Aaraaf, Tamerlane, and Minor Poems” followed in 1829.
In 1831, the year of his discharge from West Point, appeared the
volume of “Poems” with which Poe thought to win the interest of the
cadets. Thereafter, most of his poetry first saw the light in various
periodicals; for example, “The Raven” (1845) in the New York _Evening
Mirror_, “The Bells” (1849) in _Sartain’s Magazine_, “Annabel Lee”
(1849) in _The New York Tribune_.
Public-domain text, read in full here on John Shaqi.
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