genius, and his most delectable gift to an admiring public, was
that blazing and sulphurous poem, _The Day of Doom; or, A poetical
Description of the great and last Judgment_. This great poem, which,
with entire unconsciousness, attributes to the Divine Being a character
the most execrable and loathsome to be met with, perhaps, in any
literature, Christian or pagan, had for a hundred years a popularity
far exceeding that of any other work, in prose or verse, produced in
America before the Revolution. The eighteen hundred copies of the first
edition were sold within a single year; which implies the purchase of
a copy of _The Day of Doom_ by at least every thirty-fifth person then
in New England,--an example of the commercial success of a book never
afterward equalled in this country. Since that time, the book has been
repeatedly published; at least once in England, and at least eight
times in America--the last time being in 1867.
_The Dynasty of the Mathers._--At the time of his arrival in
Boston--August, 1635--Richard Mather was thirty-nine years of age;
a man of extensive and precise learning in the classics, in the
Scriptures, and in divinity; already a famous preacher. This man, “the
progenitor of all the Mathers in New England,” and the first of a line
of great preachers and great men of letters that continued to hold sway
there through the entire colonial era, had in himself the chief traits
that distinguished his family through so long a period;--great physical
endurance, a voracious appetite for the reading of books, an alarming
propensity to the writing of books, a love of political leadership in
church and state, the faculty of personal conspicuousness, finally,
the homiletic gift. His numerous writings were, of course, according
to the demand of his time and neighbourhood;--sermons, a catechism,
a treatise on justification, public letters upon church government,
several controversial documents, the preface to the Old Bay Psalm Book,
and many of the marvels of metrical expression to be viewed in the body
of that work.
Public-domain text, read in full here on John Shaqi.
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