claim it likewise as a part of English literature. Indeed England and
America are joint proprietors of this first tract of the great literary
territory which we have undertaken to survey.
Since the earliest English colonists upon these shores began to make a
literature as soon as they arrived here, it follows that we can fix the
exact date of the birth of American literature. It is that year 1607,
when Englishmen, by transplanting themselves to America, first began
to be Americans. Thus may the history of our literature be traced back
from the present hour, as it recedes along the track of our national
life, through the early days of the republic, through five generations
of colonial existence, until, in the first decade of the seventeenth
century, it is merged in its splendid parentage--the written speech of
England.
_The First Writer._--Among those first Englishmen huddled together
behind palisadoes in Jamestown in 1607, were some who laid the
foundations of American literature, and there was one who still has a
considerable name in the world. When he first set foot in Virginia,
Captain John Smith was only twenty-seven years old; but even then he
had made himself somewhat famous in England as a daring traveller in
Southern Europe, in Turkey and the East. This extremely vivid and
resolute man comes before us for study, not because he was the most
conspicuous person in the first successful American colony, but
because he was the writer of the first book in American literature.
_A True Relation of Virginia_ is of deep interest to us, not only on
account of its graphic style and the strong light it throws upon the
very beginning of our national history, but as being unquestionably the
earliest book in American literature. It was written during the first
thirteen months of the life of the first American colony, and gives a
simple and picturesque account of the stirring events which took place
there during that time, under his own eye. After all the abatements
which a fair criticism must make from the praise of Captain John Smith
either as a doer or as a narrator, his writings still make upon us
the impression of a certain personal largeness in him, magnanimity,
affluence, sense, and executive force. As a writer his merits are
really great--clearness, force, vividness, picturesque and dramatic
energy, a diction racy and crisp; and during the first two decades of
the seventeenth century he did more than any other Englishman to make
an American nation and an American literature possible.
Public-domain text, read in full here on John Shaqi.
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