A Manual of Historic Ornament: Treating upon the evolution, tradition, and development of architecture and other applied arts. Prepared for the use of students and craftsmenGlazier, Richard
History
A Manual of Historic Ornament: Treating upon the evolution, tradition, and development of architecture and other applied arts. Prepared for the use of students and craftsmen
Glazier, Richard
Decoration and ornament -- History; Decoration and ornament, Architectural -- History; Decorative arts -- History
A.D.
Norman 1066-1189.
Early English 1189-1307.
Decorated 1307-1379.
Perpendicular 1379-1483.
Tudor 1483-1546.
French Classification by DE CAUMONT.
{Primordiale 5th to 10th century.
Romanesque {Secondaire 10th to 12th “
{Tertiaire 12th “
{Primitive 13th century.
Pointed {Secondaire or Rayonnant 14th “
{Tertiaire or Flamboyant 15th “
Most of our magnificent cathedrals were founded A.D. 1066-1170 by Norman
bishops, some upon the old Saxon foundations, such as Canterbury and
York, or near the original Saxon buildings as at Winchester, or upon new
sites such as Norwich and Peterborough, and were without exception more
magnificent erections than those of the anterior period, portions of the
older style still existing in many cathedrals, showing the fusion of
Roman and Byzantine architecture with the more personal and vigorous art
of the Celtic, Saxon, and Scandinavian peoples.
The plan, given on next page, of Lincoln Cathedral shows no trace of the
apsidial arrangement so universal in Norman and French cathedrals, and
is therefore considered a typical English cathedral. Each vertical
division in the nave, the choir, and transept is termed a bay. On plate
14 is an illustration of four typical bays of English cathedrals,
showing the development of style from the 12th to the 15th century. The
general characteristic of each bay is given separately, but obviously it
can only be approximate, as the building of each cathedral was
influenced by local considerations, each period necessarily overlapping
its predecessor, thus forming a transitional style. For instance, in the
choir of Ripon Cathedral, the aisle and clerestory have semi-circular
Norman windows and the nave arcading has pointed arches. In the
Triforium and Clerestory arcading, round arches are seen side by side
with the pointed arch.
The PIERS (sometimes termed columns) of these bays have distinctive
features which are characteristic of each period of the Gothic
development. Sketch plans are here given showing the changes that took
place in the shape of the pier from 1066 to 1500. The same general
characteristics are observed in the arch mouldings and string courses.
[Illustration]
CHARACTERISTICS OF THE NORMAN PERIOD.
NAVE ARCADING. The universal use of the round arch, cylindrical or
rectangular piers with semi-circular shafts attached to each face.
Capitals cubical and cushion shaped. Arch mouldings enriched with
concentric rows of Chevron and Billet ornament.
[Illustration]
TRIFORIUM. In early work, of one arch. In later work, two or four small
arches carried on single shafts under one large semi-circular arch.
Public-domain text, read in full here on John Shaqi.
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