A Manual of Historic Ornament: Treating upon the evolution, tradition, and development of architecture and other applied arts. Prepared for the use of students and craftsmenGlazier, Richard
History
A Manual of Historic Ornament: Treating upon the evolution, tradition, and development of architecture and other applied arts. Prepared for the use of students and craftsmen
Glazier, Richard
Decoration and ornament -- History; Decoration and ornament, Architectural -- History; Decorative arts -- History
In this, the piers have engaged shafts with capitals having plain
mouldings or enriched with finely carved foliage of the oak, maple, or
mallow. The pier arches have mouldings of three orders, also enriched,
usually with the characteristic ball flower, or foliage similar to that
upon the capitals.
The TRIFORIUM consists of double arches, with subordinate cusped arches,
adorned with Geometric tracery.
The inner arcading of the Clearstory is absent, the one large window
being divided by mullions and geometrical tracery, or by equilateral
triangles enriched with circular and bar tracery (fig. 3, plate 14).
Above the pier capitals an enriched corbel is usually placed from which
springs the vaulting shafts, terminating with a richly carved capital
under the Clearstory string.
The aisle arcading, as a rule, is very beautiful, having geometric
tracery and finely proportioned mouldings, the aisle windows with
mullions and bold geometric tracery. The circular rose windows of the
transepts are typical of this period.
PERPENDICULAR AND TUDOR.
The PIERS of this style are lofty and enriched with shallow mouldings
carried round the pier arch, where capitals are introduced, they
frequently resemble a band round the pier at the springing of the arch,
or occasionally they are octagonal in form, and decorated with an
angular treatment of the vine. In some instances, the upper part of the
plain octagonal capital is relieved with an embattlement. The latter is
also frequently used as a cresting for the elaborate perpendicular
screens, or for relieving the clearstory strings.
Public-domain text, read in full here on John Shaqi.
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