A manual of Italian literatureCliffe, Francis Henry
History
A manual of Italian literature
Cliffe, Francis Henry
Italian literature -- History and criticism
The Duke in time wearied of the capricious and irritable poet, and
Tasso found it expedient to remove to Turin. He received no countenance
from the House of Savoy, and again his evil star led him to the Court
of Ferrara.
In the month of February, 1579, he returned to Ferrara when it was
at its gayest, on the occasion of the Duke's marriage to Margherita
Gonzaga, daughter of the Duke of Mantua. But Tasso was looked upon
with aversion as an intruder. He wearied those who did not want to see
him with long stories of his grievances, and with bitter invectives at
princely ingratitude. These invectives waxed fiercer, until, after a
culmination of insane violence, the Duke's patience was exhausted, and
he had the unhappy poet arrested and thrown into a cell in the madhouse
of Ferrara.
Here Tasso languished for more than seven years, until July, 1586.
The most zealous admirers of the poet cannot deny that he brought
this terrible catastrophe upon himself. The Duke cannot be blamed for
having ordered his incarceration; indeed, in the frenzied condition
of his mind at the time of arrest, it was probably the best thing that
could have happened to him. If not placed under restraint, he might
have done himself an injury, or he might even have attacked others.
If he had been held in captivity for some weeks, or even months, until
the paroxysm of his frenzy had spent itself, the Duke would not have
incurred the odium which subsequently blackened his memory. But the
peculiar hardship of Tasso's imprisonment was its long duration. A
short period of restraint might actually have been beneficial, but
seven years of gloomy captivity aggravated the malady which they were
intended to cure, and it is no wonder that the patient subsided from
wild excitability into sullen despair.
It is due to his gaolers to say that he was not treated with the
inhumanity popularly supposed. Visitors were admitted into his
presence, he was allowed occasionally to take walks in the town of
Ferrara and the neighbourhood; his manuscripts were restored to him; he
was at liberty to receive the letters of his friends, and to beguile
with composition the weary hours of captivity. But still the galling
fact remained that he was a prisoner, and a mind naturally prone to
melancholy was still more darkened by contrasting the stern reality
with the brilliant hopes fostered by the triumphs of his youth. He
wrote to many of the nobles and princes of Italy, imploring them to use
their influence to obtain his release. These letters do not seem to
have been either intercepted or delayed. Strong representations were
undoubtedly made to the Court of Ferrara to obtain the liberation of
one so gifted and so unfortunate. Unhappily for his credit and honour,
Alfonso proved inflexible, and what was originally salutary discipline
became at last detestable tyranny.
Public-domain text, read in full here on John Shaqi.
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