A Manual of Photographic Chemistry, Including the Practice of the Collodion ProcessHardwich, T. Frederick
Science
A Manual of Photographic Chemistry, Including the Practice of the Collodion Process
Hardwich, T. Frederick
Photographic chemistry; Photography
f. _Development of images upon Bromide and Chloride of Silver._--Of the
three principal Salts of Silver, the Iodide is the most sensitive to
light, but the Bromide and Chloride, under some conditions, are more
easily developed and give a darker image. In the Collodion process the
difference is principally seen when organic bodies, like Grape Sugar,
Glycyrrhizine, etc., are introduced in order to increase the intensity; a
far more decided effect being produced by adding both Glycyrrhizine and a
portion of Bromide or Chloride, than by using the Glycyrrhizine alone.[15]
[15] See the Author's Paper on the chemical composition of the
photographic image, in the eighth Chapter.
g. _The intensity of the image affected by the length of exposure._--This
point has been briefly alluded to in the third Chapter. If the exposure in
the Camera be prolonged beyond the proper time the development takes place
rapidly but without any intensity, the picture being pale and translucent.
The effects produced by over-action of the light are particularly seen
when the Nitrate Bath contains Nitrite of Silver, or Acetate of Silver;
the image being frequently in such a case dark by reflected light, and
red by transmitted light,--more nearly resembling in fact a photographic
print, developed on paper prepared with Chloride of Silver. When Collodion
plates are coated with honey without previously removing the free Nitrate
of Silver, a slow reducing action is set up, which may give rise to the
characteristic appearance above referred to, after development. Other
organic substances, such as biliary matter, etc., will act in the same way.
h. _Certain conditions of the Bath which affect development._--Attention
may be called to a peculiar state of the Nitrate Bath, in which the
Collodion image developes unusually slowly, and has a dull grey metallic
appearance, with an absence of intensity in the parts most acted on by
the light. This condition, which occurs only when using a newly mixed
solution, is thought by the Author to depend upon the presence of an
Oxide of Nitrogen retained by the Nitrate of Silver. It is removed
partially by neutralizing the Bath with an alkali, more perfectly so by
adding an excess of alkali followed by Acetic Acid; but most completely by
carefully _fusing_ the Nitrate of Silver before dissolving it.
Commercial Nitrate of Silver has sometimes a fragrant smell, similar to
that produced by pouring strong Nitric Acid upon Alcohol. When such is the
case, it contains organic matter, and produces a Bath which yields red and
misty pictures.
Nitrate of Silver which has been sufficiently strongly fused to decompose
the Salt, and produce a portion of the basic Nitrite of Silver exhibits
great peculiarity of development, the image coming out instantaneously and
with great force. This condition is exactly the reverse of that produced
by the presence of acids, in which the development is slow and gradual.
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