A Manual of Photographic Chemistry, Including the Practice of the Collodion ProcessHardwich, T. Frederick
Science
A Manual of Photographic Chemistry, Including the Practice of the Collodion Process
Hardwich, T. Frederick
Photographic chemistry; Photography
_The Nitrate Bath._--If the materials are pure, the Nitrate Bath may
advantageously be diluted down at the same time with the Collodion, when
Positives are to be taken; but the employment of a very weak Nitrate
Bath (such as one of 20 grains to the ounce), although highly useful
in obviating excess of development, has some disadvantages; it becomes
necessary to exclude free Nitric Acid, and to avoid the employment of a
Collodion too highly tinted with Iodine. On the other hand, with a strong
Nitrate Bath, and a tolerably dense film of Iodide of Silver, a better
result is often secured by the use of Nitric Acid. The sensitiveness of
the plates is impaired, but at the same time the intensity is diminished,
and the picture shows well upon the surface of the glass.
A new Bath is better for taking Positives than one which has been a long
time in use. The latter often causes _haziness_ and irregular markings on
the film during the action of the developer. This is due partly to the
accumulation of Alcohol and Ether in the Bath, which causes the solution
of Sulphate of Iron to flow in an oily manner; and partly to a reduction
of the Nitrate of Silver by organic matter.
The presence of _Acetate of Silver_ is objectionable in a Positive Nitrate
Bath as producing solarization and intensity of image; hence those
precautions which obviate its formation must be adopted (p. 89).
If fused Nitrate of Silver be used for the Positive Nitrate Bath, it is
very important that the fusion should not be carried too far, or the
solution would contain a basic Nitrite of Silver, and yield an intense,
solarized, and misty image.
_The Developers for Collodion Positives._--Pyrogallic Acid when used with
Acetic Acid, as is usual for negative pictures, produces a surface which
is dull and yellow. This may be obviated by substituting Nitric Acid in
small _quantity_ for the Acetic. The surface produced by Pyrogallic Acid
with Nitric Acid is lustreless, but very white, if the solution be used
of the proper strength. On attempting to increase the amount of Nitric
Acid the deposit becomes metallic, and the half-tones of the picture are
injured; Pyrogallic Acid, although an active developer, does not allow
of the addition of mineral acid to the same extent as the Salts of Iron.
It requires also, when combined with Nitric Acid, a fair proportion of
Nitrate of Silver on the film, or the development will be imperfect in
parts of the plate.
_Sulphate of Iron._--The Protosalts of Iron were first employed in
Photography by Mr. Hunt. The Sulphate is a most energetic developer, and
often brings out a picture when others would fail. To produce by means of
it a dead white tint with absence of metallic lustre, it may be used in
conjunction with Acetic Acid, and in a somewhat concentrated condition, so
as to develope the picture quickly.
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