A Manual of Photographic Chemistry, Including the Practice of the Collodion ProcessHardwich, T. Frederick
Science
A Manual of Photographic Chemistry, Including the Practice of the Collodion Process
Hardwich, T. Frederick
Photographic chemistry; Photography
When the use of this substance is resorted to, the mode of iodizing the
Collodion appears to be of importance, the increase of intensity being
greater with the Iodide of Cadmium than with the Iodides of the Alkalies;
the latter probably exercising a decomposing action. An addition of a
Bromide or a Chloride to the Collodion in small quantity has also a marked
effect in adding to the intensity when Glycyrrhizine is used with alkaline
Iodides (p. 101).
Substances which produce intensity of the Collodion image have often,
if added in too large quantity, a tendency to lower the half-tone, and
prevent the darker parts of the picture from being sufficiently brought
out. The print from the Negative is then pale and white, or "chalky" as
it is termed, in the high lights. Collodion in this condition is often
preferred by the beginner, from the facility with which the Negatives
are obtained, but it does not give the finest results. An excess of
Glycyrrhizine in Collodion has also the effect of interfering with the
precipitation of the Iodide of Silver, producing a blue and smoky film
which is nearly useless for Negatives.
A judicious employment of free Iodine in Collodion which has been
previously intensified with Glycyrrhizine, has a remarkable effect in
improving the gradation of tone. The excessive opacity of the high lights
is diminished, and hence the operator is enabled by a longer exposure of
the sensitive plate to bring out the shadows and minor details of the
image with great distinctness. Collodion prepared in this manner is too
slow to be used for portraits, excepting in a strong light, but often
gives an image with great roundness and stereoscopic effect.
The Iodine and the liquorice sugar employed conjointly, tend also to
preserve the clearness of the plates under the influence of the developer,
and to give sharpness to the lines and dots of engravings, etc., which,
with a new and sensitive Collodion, are often imperfectly rendered. These
advantages will be appreciated by the operator who has failed from
working with a too feeble Collodion; but it must be borne in mind, that
all substances acting as intensifiers have a bad effect when the state of
the film is not such as to call for their employment.
The Proto-iodide of Iron has been recommended as an addition to Negative
Collodion. In the Nitrate Bath it forms, in addition to Iodide of Silver,
Protonitrate of Iron, an unstable substance and a developer. The use of
Iodide of Iron gives great sensibility, but it is difficult to preserve
it pure and unchanged. It also decomposes the Collodion in the course of
a few hours, becoming itself peroxidized, and producing an insensitive
condition of film. In addition to this, the negatives taken by the aid of
Iodide of Iron are commonly of an inferior kind, the reduction being too
marked in the high lights; so that its employment is of doubtful utility.
Public-domain text, read in full here on John Shaqi.
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