There are two distinct modes of obtaining photographic prints;--first by development, or, as it is termed, _by the Negative process_, in which a layer of Iodide or Chloride of Silver is employed, and the invisible image developed by Gallic Acid; and second, by the direct action of light upon a surface of Chloride of Silver, no developer being used. These processes, involving chemical changes of great delicacy, require a careful explanation. The action of light upon Chloride of Silver was described in Chapter II. It was shown that a gradual process of darkening took place, the compound being reduced to the condition of a coloured _subsalt_; also, that the rapidity and perfection of the change were increased by the presence of excess of Nitrate of Silver, and of organic matters, such as Gelatine, Albumen, etc. We have now to suppose that a sensitive paper has been prepared in this way, and that a Negative having been laid in contact with it, the combination has been exposed to the agency of light for a sufficient length of time. Upon removing the glass, a Positive representation of the object will be found below, of great beauty and detail. Now if this image were in its nature fixed and permanent, or if there were means of making it so, without injury to the tint, the production of Paper Positives would certainly be a simple department of the Photographic Art; for it will be found that with almost any Negative, and with sensitive paper however prepared, the picture will look tolerably well on its first removal from the printing-frame. Immersion in the bath of Hyposulphite of Soda however, which is essentially necessary in order to fix the picture, produces an unfavourable effect upon the tint; decomposing the violet-coloured Subchloride of Silver, and leaving behind a red substance which appears to be united to the fibre of the paper, and, when tested, reacts in the manner of a Suboxide of Silver. Other chemical operations are therefore required to remove the objectionable red colour of the print, and hence the consideration of the subject is naturally divided into two parts; first, the means by which the paper is rendered sensitive, and the image impressed upon it;--and secondly, the subsequent fixing and _toning_, as it may be termed, of the proof. The present Chapter will also include, in two additional Sections, a condensed account of the most important facts relating to the properties and the mode of preservation of photographic prints. SECTION I. _The Preparation of the Sensitive Paper._ In this Section the general theory of the preparation of Positive paper, in so far as it affects the tone and intensity of the print, will be described; the reader being referred to the second division of the Work for the formulæ required.