A Manual of Photographic Chemistry, Including the Practice of the Collodion ProcessHardwich, T. Frederick
Science
A Manual of Photographic Chemistry, Including the Practice of the Collodion Process
Hardwich, T. Frederick
Photographic chemistry; Photography
_On certain states of the fixing and toning Bath which are injurious to
the proofs._--The object of using the Hyposulphite Bath is to fix the
proof and to tone it by means of Gold. But it is a fact familiar to the
photographic chemist, that Positives can also be toned by a sulphuretting
action, and that the colours so obtained are not very different from
those which follow the employment of Gold.[20] Now the Hyposulphite of
Soda is a substance which can be very readily made to yield up Sulphur
to any bodies which possess an affinity for that element, and as the
reduced Silver compound in the print has such an affinity, there is
always a tendency to absorption of Sulphur when the proofs are immersed
in the Bath. Consequently in many cases a sulphur toning-process is
set up, and as the picture is improved by it in appearance, losing its
brick-red colour and assuming a purple shade, it was at first adopted
by Photographers. Experience however has shown that colours brightened
in this way are less permanent than others, and are liable to fade
unless kept perfectly dry. Hence the process will be discarded by all
careful operators, and the object will be to avoid sulphuration as far
as possible. This can be done to a great extent, and, when the Bath is
properly managed, the prints will be toned almost entirely by Gold, and
will, with care, be permanent.
[20] For a more detailed account of the toning process by Sulphur, see the
Third Section of this Chapter, page 145. The instability of sulphuretted
prints is shown in the fourth Section.
Some of the conditions which facilitate a sulphuretting action upon the
proof are as follows:--
a. _The addition of an Acid to the Bath._--It was at one time common to
add a few drops of Acetic Acid to the fixing Bath of Hyposulphite of
Soda, immediately before immersing the proofs. The Bath then assumes an
opalescent appearance in the course of a few minutes, and, when this
milkiness is perceptible, the print begins to _tone_ rapidly and becomes
nearly black.
The chemical changes produced in a Hyposulphite Bath by addition of acid,
may be explained thus:--The acid first displaces the feeble Hyposulphurous
acid from its combination with Soda.
Acetic Acid + Hyposulphite Soda.
= Acetate Soda + Hyposulphurous Acid.
Then the Hyposulphurous Acid, _not being a stable substance when
isolated_, begins spontaneously to decompose, and splits up into
Sulphurous Acid--which remains dissolved in the liquid, communicating the
characteristic odour of burning Sulphur--and _Sulphur_, which separates in
a finely divided state and forms a milky deposit.[21]
[21] From the Vocabulary, Part III., it will be seen that commercial
Chloride of Gold usually contains _free Hydrochloric Acid_; hence
a considerable deposit of Sulphur takes place on adding it to the
Hyposulphite solution, and the liquid must not be used immediately.
Public-domain text, read in full here on John Shaqi.
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