A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
4. Ancus Martius commanded the citizens to have taste and to beautify
the town, or rather had this done, superintending the improvements
himself. He is stated to have been a grandson of Numa.
5. Tarquinius Priscus, of a Korinthian family, showed in his very
infancy that he was destined by supernatural influences to become a
benefactor of the chosen people, the Romans. When a tender boy sleeping
in his cradle, his head was surrounded by a brilliant halo of flames.
He conquered many Latin and Sabine towns, and showed himself worthy
of his exalted position. He introduced the golden diadem, the ivory
throne, the sceptre adorned with an eagle, and the purple toga, as
distinctive marks of the supreme authority.
6. Servius Tullius was also of supernatural origin. He was the son of
a female slave, and the protecting divinity of the royal castle. He
divided the people into five classes or castes; instituted tribunes,
and founded the orders of senators, knights, and commons.
7. Tarquinius Superbus, like the Chinese tyrant Ly-wang, who succeeded
the five good emperors, defiled the imperial dignity, outraged all
laws, divine and human, and was rebelled against by the patricians,
who abolished the regal authority. The innocent Lucretia is said to
have been the direct cause of the expulsion of the tyrant, and the
establishment of the republic.
In the myths concerning these seven kings we have abundant elements for
the most beautiful songs, epic poems, and artistic subjects full of
dramatic power and vitality. The remarkable fact with the Romans was,
that they preserved these myths as _historical_ truths, recorded them
in dull _prose_, affixing to them dates, each of which was a flagrant
falsehood, and used them in good earnest as the basis of their national
existence.
The royal period ended with the seven kings. Rome had prepared in
perfect silence her murderous weapons, and, suddenly dashing forward
a well-trained prize-fighter, inaugurated the military theocracy. The
history of this second period, with its appalling monotony, may be
condensed into one terrible word--WAR.
Public-domain text, read in full here on John Shaqi.
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