A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
From 342-340 B.C. war with the Samnites. From 340-337 B.C. war with
the Latins. From 325-290 B.C. the second and third Latin war. From
288-264 B.C. war with Carthage and Syrakuse. From 264-241 B.C. the
first Punic war. Peace was made, and to fill up the leisure hours,
there was a Gallic war. From 218-201 B.C. the second Punic war.
Peace was again concluded, and during the interval (183 B.C.) Greece
and the Makedonian empire were subjugated. From 149-146 B.C. the
third Punic war. The world was conquered, and the boundaries of the
vast empire extended in all directions; but the warlike spirit of
the Romans had not learnt to rest and to enjoy these conquests in
peace; industry, arts, and sciences, had no charm for these wild and
indomitable conquerors, and wanting a foreign enemy, they quarrelled
amongst themselves. The internal dissensions began. There were the
Numantian troubles, the tumults of the Gracchi, and the feud between
Marius and Sulla. A foreign war happily put an end to these internal
struggles. From 112-106 B.C. war with Jugurtha. From 88-80 B.C. war
with Mithridates. From 72-71 B.C. the slaves rebelled and called for
bread and for revenge. This was the first civil war--individual egotism
conspired against the supreme power, faction fought against faction;
a dissolution of all law and order threatened the State. From 54-51
B.C. the Gallic war amused the Roman spectators and war-comedians. From
49-48 B.C. there was a second civil war; from 43-30 B.C. a third; and
the republic was at last absorbed by a Cæsarian theocracy.
That arts and sciences did not flourish in a state of continual warfare
is quite natural. The houses were mean and low, here and there adorned
with clumsy Etruskan pillars; the temples had some Greek forms;
sculpture was not cultivated, and Greeks had to chisel or to carve
the scanty embellishments. On the other hand, high roads of great
excellence, and bold bridges with magnificent arches, were constructed,
for everywhere the spirit of practical realism was served; in every
stone, every column, every pillar, every statue, the spirit of
theocratic despotism predominated. The charming gods of the Greeks were
turned into haughty military commanders, not inviting love through
beauty, but demanding blind obedience with a thundering ‘_sic volo, sic
jubeo_’ (‘as I will it, so I command it’).
Public-domain text, read in full here on John Shaqi.
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