A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
The Romans also instituted public games in imitation of the Greeks,
on the degrading ‘panis et circenses’ principle. In Greece, Apollo
with his nine muses presided over the public games. The Romans had
specially-trained gladiators, wrestlers, dancers, and prize-fighters.
The competitors at the Greek games were free and independent citizens;
with the Romans they were either criminals, runaway slaves, or men
condemned to death. Bears, lions, tigers, and elephants were starved,
and set against one another, to delight the spectators with their
savage brutality. Soon an improvement was effected, and men were
arrayed against men with deadly weapons, to amuse men and women, boys
and girls, with their skill in murdering; and at last, as a further
progressive development in taste, men were pitted against wild beasts.
In the Greek tragedy, the ideal sufferings of humanity, struggling in
an unequal combat with omnipotent and inexorable fate, were prominently
set forth to purify men from their passions by showing the consequences
of even unconscious guilt. The Greek tragedy was the national moral
conscience brought into the most perfect poetical form. The Romans
instituted a cruel reality of _bodily_ suffering; _real_ blood
streaming from _real_ limbs; the _real_ rattle in the throat, which
signals death; and the _real_ last gasp of an expiring man, afforded
them amusement.
Like their religion and public games, their literature, with
the exception of their satires and law-codes, was matter of
fact and imitative. The generation of the Roman products of
poetry and prose was the following: Homer engendered Virgil,
Hesiod--Lucretius; Pindar--Horace; Æsop--Phædrus; Euripides--Terence;
Aristophanes--Plautus; Xenophon--Sallust; Thukydides--Titus Livy;
Demosthenes--Cicero. Ovid and Tacitus were the only really original
writers; the first faithfully depicted the hollowness of Roman ethics;
and the other, in unsurpassed language, drew a historical sketch of the
Teutons, mercilessly exposing the contrast between noble simplicity,
grandeur and honesty, and the demoralised state of his own country.
Public-domain text, read in full here on John Shaqi.
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