A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
The use of marble as a means of decoration was not always customary
with the Romans, and was introduced by L. Crassus, the censor, who had
his house decorated with six small columns of marble from Hymettus,
and was very much blamed for this extravagance. M. Scaurus, the ædile,
who built the famous wooden theatre, decorated with 360 pillars of
marble, glass, and bronze, and about 3,000 statues and images, had the
atrium and peristyle of his private house richly adorned with exquisite
columns. Manurra, prefect of the armourers, under Julius Cæsar in
Gaul, is set down as the first who had his walls decorated with marble
incrustations; whilst M. Catulus could boast of the first marble
flooring, and of thresholds in Numidian marble. Of temples, one of the
first constructed of marble blocks in a purer Greek style was that of
Jupiter Tonans. The temple of _Fortuna Virilis_ which rose on a lofty
substructure on the banks of the Tiber, was in the Ionic style. The
Vesta temple at Tivoli, enthroned on a steep and rocky height above the
foaming waters of the Anio, was a circular building in the Korinthian
style.
Theatres, public halls, baths, and Fora were found necessary, either
to distract the public mind from political matters, or to gain the
suffrages of the fickle mob, eager for amusement and excitement. The
first theatre in stone was erected by Pompey. Julius Cæsar surpassed
all his predecessors and rivals in magnificence. He began the theatre
of Marcellus, which was completed by Augustus, and so enlarged and
beautified the _Circus Maximus_ that it could accommodate 150,000
spectators; he built the beautiful Basilica Julia, a public law-court
for the Centumviri or Judges to sit in, and hear causes, and for the
counsellors to receive their clients, and had a new Forum constructed,
and adorned it with a temple dedicated to Venus Genetrix. The Roman
Forum (in imitation of the Greek Agora) was a building about three
times as long as broad. The interior was surrounded by arched porticos,
and flanked by the most stately edifices, such as theatres, basilicæ,
and temples.
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