A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
The Chinese undoubtedly reached a high degree of culture earlier than
all the historical nations, and still they are in a state of civilised
infancy. They possess reliable historical records referring to periods
when branches of the Aryan group of humanity were still nomads. They
knew that our globe is flattened at the poles, at a time when we
thought it to be a square supported by pillars; they were acquainted
with the properties of the magnet-needle; worked metal; cultivated
the mulberry-tree, systematically fed the silk-worm with its leaves,
weaving its product into the very best silk. In pottery they have
attained the greatest perfection so far as the material is concerned.
In engineering they were not less clever. They have aqueducts, executed
with great daring; innumerable bridges span their rivers; they drained
and irrigated the land at a time when other people assumed a universal
deluge; and yet they remained babies in thoughts and customs, whilst
they grew older and older in age. They have all the manners of
precocious children with prematurely aged faces. This phenomenon can
be explained in figures. There are 400,000,000 of Chinese, nearly all
Turanians. Taking an equal number of Aryans, we shall find that they
are not less than 3,400,000,000 cubic inches short of brain, of which
each inch represents a certain amount of intellectual force. This
deficiency in ‘brain-force’ shows itself in their totally different
development, and the stationary character of their institutions. They
ingeniously _play_ in science, art, politics, and religion. 4,500 years
ago they reached a high degree of civilisation, and they remained
stationary in their civilised childhood, which they preserve with a
pious veneration. To look back, to believe that the past was better
than the present, has become the static law of China, and has checked
every progress. Their language is agglutinative, only one degree
higher than the savage monosyllabic, and forms a link between this
and the flexible languages. The 450 monosyllables are used to form
1,230 word-sounds, out of which they compose from 40,000 to 60,000
compounds. They cannot pronounce certain consonants, resembling in this
some badly-taught European children. They say: ‘Yoo-lo-pa’ instead of
Europe; ‘Ya-me-li-ka’ instead of America; ‘Ma-li-ya’ instead of Maria;
‘cu-lu-su’ instead of crux; ‘Ki-li-tu-su’ for Christus. Their mode of
writing has developed from pictorial signs. They preserved these; and,
although arbitrary characters have supplanted picture-writing, or
hieroglyphs, they still retain the clumsiness of this form, and have
for every word a special sign.
Notwithstanding these drawbacks they possess an encyclopædia in 5,000
volumes, and a collection of works of fiction amounting to 180,000
volumes. They can boast of a Socrates in Confucius, of a Plato in
Mem-tsu, and of a Xenophon in Tsem-tsu.
Public-domain text, read in full here on John Shaqi.
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