A Marriage in High Life, Volume IScott, Lady (Caroline Lucy)
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A Marriage in High Life, Volume I
Scott, Lady (Caroline Lucy)
Great Britain -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction
On poor Emmeline’s cheek, a deadly paleness so rapidly succeeded the
deep crimson of a minute before, that it caught even Mr. Benson’s eye,
who, although not quick at observing such dumb indications of feeling,
was sorry to have distressed her, though he hardly guessed how he had
done so. His spirits were elevated by the exultation of the moment, and
the “excellent wine” beyond his usual hilarity—and even beyond his
control.
“Come, come, Emmy,” said he, smiling on her—”I meant no offence; but you
know such things often, indeed I may say commonly do happen, as people
having little boys and little girls after they are married; and I hope
you may have a little boy some of those days, that’s all;” and he winked
his eye facetiously at Lord Fitzhenry.
The latter however was, as well as Emmeline, examining the pattern of
the China-plate before him; so that poor Mr. Benson meeting with no
encouragement from any one, was forced to change the subject of
conversation, and Emmeline soon proposed to her mother to leave the
dining-room.
Mrs. Benson took no notice of what had passed; and Emmeline gradually
recovered herself, although, on the gentlemen joining them, she found it
impossible to encounter her husband’s eyes, and, hastily getting up, she
went to the pianoforte. At first, her hand trembled, but a feeling of
pride steadied it; and on her father asking for one of his old favourite
songs, she complied.
Fitzhenry gradually approached her, and when she had finished
singing—”That is very beautiful,” said he, “You have never before
indulged me with any music.”
“No!” replied Mr. Benson, “that is a great shame, when I paid I don’t
know what to a Signor——what do you call him? for teaching her. She can
sing you any of your fine bravuras; but a plain English song, for my
money; it is worth all your Italian airs, for there is some sense, some
meaning in that, but, as for your foreign nonsense, one can’t understand
what the words are about; no one can make head or tail of them.”
Emmeline could not help smiling; and, looking up, her eyes met
Fitzhenry’s. He too smiled, and smiled so kindly on her that, for an
instant, she fancied there was affection, even fondness in their
expression.
“Perhaps,” said he, “you will nevertheless indulge me with one of the
unmeaning songs Mr. Benson complains of.”
Emmeline sang one of Rossini’s. Fitzhenry sat down by the pianoforte
opposite to her, his head leaning on his hand; and, at first, he looked
attentively at her, but when the song was over, he seemed so lost in
thought as to have totally forgot the singer. He said nothing; suffered
her to leave the instrument without making any attempt at detaining her,
and soon after left the room.
Public-domain text, read in full here on John Shaqi.
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