A Marriage in High Life, Volume IScott, Lady (Caroline Lucy)
General
A Marriage in High Life, Volume I
Scott, Lady (Caroline Lucy)
Great Britain -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction
During the journey, Lord Fitzhenry’s agitation and abstraction rather
encreased, and it could no longer escape Emmeline’s observation. His
conversation was forced; in his manner towards her he was punctiliously
attentive and civil—but perfectly cold and distant.
When they arrived at Arlingford, all the servants were assembled in the
hall to receive them; a numerous and respectable group, who, by the
tears of joy which some of them shed, seemed most sincerely to partake
in the supposed happiness of their young master. One of them, who stood
apart from the rest, even ventured to address him with particular
congratulation as with the familiarity of an old friend, and to give
Emmeline his blessing.
“Thank you, Reynolds, thank you,” said Fitzhenry hastily, as he shook
the old man by the hand.
Emmeline’s heart was cast in nature’s best mould, and this simple action
of her husband found its way to it. She smiling raised her tearful eyes
to his face, but the expression she there found, soon made her again
cast them down. The scene seemed to have totally discomposed him; and,
in an awkward, hurried manner, thanking the rest of the servants, he led
the way to the drawing-room. Dinner was ordered directly, and all seemed
so zealous to serve their young master and mistress, that it was not
long coming, but still there was an awful pause.
Lord Fitzhenry walked up and down the room, forced himself to speak,
then, suddenly, as if recollecting that some degree of gallant attention
was to be expected from him, a bridegroom of only six or eight hours, he
hurried up to Emmeline and helped her off with her shawl; but his manner
was so odd, so unlover-like, that it at last alarmed even her innocent,
unsuspecting mind, and she timidly asked if he was not well. He started
at her question, and seemed much embarrassed; but, after a moment’s
pause, replied, “The journey, the hurry, I suppose; indeed, I hardly
know what, but something has given me a dreadful headache.”
And then, as if roused by her remark to a sense of the strangeness of
his behaviour, he put more force upon himself, showed her the public
rooms, her own sitting room, in which were collected books, musical
instruments, and every possible means of amusement. In answer to her
enquiries, explained to Emmeline who were her new relations that hung
framed on the walls; and, when she admired the comfort of the house, and
particularly of her own boudoir, he said something about hoping she
would be happy in it, but the phrase died away in uncertain accents.
Public-domain text, read in full here on John Shaqi.
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